One of a series of Nyal point-of-sale display cards of the early 1950s. A series of them turned up for grabs at auction, but whether they were all by Roundhill or some were done by another artist in the series – remains unconfirmed. Certainly this highly airbrushed style was a trademark of his, as we know.
I have had a very busy year, so obviously I’ve had little time to put up new stories for the most part. I haven’t posted anything since February, my bad – and the time has just slipped away. Even my page on Facebook, History Always Repeats, has slowed down quite a bit (although the membership is increasing rapidly anyway). My previous semester was totally frustrating and as a result mentally exhausting (mostly due to the complete disorganization of others) and after it was done I just didn’t want to know about anything for a while.
This is the first time I have had a break since late 2010 when I started Longwhitekid – so perhaps it’s just a natural progression; that’s how it feels. I’ve written at least 175 stories during that time including magazine articles which is quite a lot. A rest is always good – even if it’s unexpected. And this break from publishing was not at all planned, however when I return in a few weeks there will be some big changes afoot.
So it’s probably all part of an inevitable reboot that has been coming for a while, anyway. Things just need to change about the way I am doing this if it is to continue. It doesn’t mean I haven’t been researching and writing; but arranging the actual posts is a lot of work in its self and my focus is elsewhere right now as I finish up on the manuscript, that I have mentioned on and off for the last four years. So the Longwhitekid project is far from over; I am still enthused and have a long list of topics I’d like to tackle.
In the meantime here is a collection of further images by Bernard Roundhill that have come into my possession (this is not all of them, just a portion from this most prolific designer which keep turning up, or I suddenly realise after years – that something I’ve had all along is by him). The original article, which has been incredibly well received, was ‘Unblemished Record’ and can be found here. And I hate to blow my own horn but it is the definitive article on him (although Richard Wolfe’s one was pretty good). I have also updated fifteen or so other past stories – although there is still lots to do in this respect. This will have to be adequate for now.
Sweet Little Lies: The Curious Sally Lunn
I’ve added an advert from a Pahiatua 1950s publication which sheds more light on the timeline of this sweet treat’s history in Aotearoa.
Elbe’s Ice Cream: The Plot Thickens
I am in receipt of family photos including pictures of the brand’s proponent, Fred Elbe (Jr.), so we finally get to see what he looked like – as opposed to his Dad – which was the best I could do at the time of publishing.
Bite Size: Piccin’ Bones
An earlier popping corn on the market, named ‘Fun’, may have had some bearing on the background of this brand.
A Frosty Phenomenon
I’ve added some boxes that have been kindly lent to me from Hocken collection by ephemera librarian Katherine Milburn.
We Bring The Flavour
An image has come to light of an Uncle’s branch on Queen Street, Auckland, as well as a better picture of paper Cola cups by Carton Specialties.
When Lactose Goes
I’ve added a few boxes and adverts as well as images of two cream cans that flesh out the story of this brand somewhat.
Bite Size: Frisco Candy Kitchen
I came into a lot of extra information on photographer and confectioner Swales, which clarified this story. So I have rewritten it a bit. Oh, and there’s a nice colour postcard of K Road showing his store.
Bite Size: Beats Me
A paper wrapper from an Australian ‘Beatall’ tin raises some questions about Nestlé’s potential involvement in this brand.
Bite Size: Cruel Candy
I’ve added six Allen’s wrapper designs for different lines, which I remember being on the market through the 1980s.
Somewhat Wireless, But Not Brainless
A ‘Safety First’ board game appeared recently featuring the character (whose name I had wrong) so I have made adjustments to images to reflect this, and added some more.
Iced VoVos: Who Did It First?
Two rarely seen adverts from 1960 featuring this iconic biscuit cropped up so I decided to add them to this story for posterity, although it still doesn’t shed any light on the historical mystery.
Projecting The Past
I’ve added more images of Wattie’s pea can novelty promotional lighters. I still love this collection as I consider it one of the best lots I’ve ever snagged from a Trade Me auction.
An advert for a swap club advert from a newspaper changes the way I’ve been looking at these fundraisers thus far. Many more versions of these swap sets have also turned up lately in the Hocken collection and at auction, yet some particular swaps from more common competition sets remain totally elusive to date.
A yet unseen 1937 book by A.W..B. Powell turned up at auction a while back, so I have included it here. Did this man ever release a book with an ugly cover? Nope, apparently not.
Those pears are undeniable: A can label for Thompson & Hills’s ‘OAK’ brand Bartletts, probably dating from the late 1950s-early 1960s. Image courtesy Mike Davidson collection.
A large point-of-sale display card advert for Persil dating from the late 1940s to early 1950s. I’m actually a little confused about what’s going on here with these two. Anyone?
L: A label for the H.L. Koefoed brand of chutney. This was probably their last gasp in the 1960s; they’d been around making sauces for eighty years at least by this point. Included is goop which is fifty year old condiment. I’ll pass, thanks.
R: The second, later version of the ‘Bycroft Boy’ with the trademark ‘Droste effect’ or, formally ‘mise en abyme‘ which was also a feature of the earlier version by Leslie Bertram Rykers in the 1920s.
Ward’s ‘Cargill’ brand whole tinned rabbit, made between 1936 and 1955. Image courtesy of the Alexander Turnbull Library collection, ref Eph-A-MEAT-1940s-01. Artist is unknown but we can assume it is Roundhill’s work.
I always wondered what the unspecified ‘Monarch’ was exactly, in Roundhill’s list of known jobs. I had decided that, being a rather common name, it was either shoes, smallgoods or irons. However it turns out it was a line of pea seeds under a long-term client of Roundhill’s; Yates. This advert from the New Zealand Herald, September 1940. Image courtesy of the National Library of New Zealand.
‘Girl Skating’, magazine cover probably for The Mirror, Bernard Roundhill, 1951. Image courtesy of The Museum of New Zealand Te Papa Tongarewa collection, reg no CA000660/001/0005. It’s good to see more items from their extensive collection of Roundhill’s work finally going up online in recent months.
Original design for OAK meat pie packaging, by Bernard Roundhill, 1959. However, it clearly says Butland’s Crest Foods on the artwork. It was likely done just post the Unilever ownership changeover in this year when they expanded the product range. Both Crest and OAK were longstanding clients. However I have no evidence the latter ever made pies. Image courtesy of The Museum of New Zealand Te Papa Tongarewa collection, reg no CA000663/001/0002
Six different soft drink labels created by Roundhill for C.L. Innes & Co in the mid-1950s. Several more are in The Museum of New Zealand Te Papa Tongarewa collection here, including the ‘Jaffajuice’ one.
Nyal’s Figsen laxative display unit, for Frederick Stearns and Co, manufacturing chemist, with a point-of-sale display card from a series probably by Bernard Roundhill. Photo by Clifton Firth, 1950s. Image Courtesy of Sir George Grey Special Collections, Auckland Libraries Heritage Images, ref 34-S502.
A series of Nyal point-of-sale display cards of the early 1950s. A series of them turned up at auction, but whether they were all by Roundhill or some were done by another artist in the series – remains unconfirmed.
A Peter the Pilot album of 1939 by Timaru Milling. It’s said Roundhill created the character and illustrated him, at least to start with; however there is now some debate whether he or Carr, another employee at Coulls Somerville Wilkie, came up with it. Certainly Carr worked on the account in the 1940s through to the 1950s and some of the early Peter Pilot stuff looks like his style more than Roundhill’s – there’s always been a question mark hanging over it. That said, early days and developing skills, I guess.
The Highlander milk can label, with the classic design by Roundhill in his typical dark blue linework, remained in use for decades. I really should have included this with the original article; it is along with the Air New Zealand koru, and the Teachatot box one of the images by him completely ingrained in the consciousness of many Kiwis – and as such one of the consummate iconic works of his large oeuvre.
A card point-of-sale display by Chandler and Co from a series of lithographs done for Palmolive-Colgate products, probably by Roundhill, circa late 1940s-early 1950s. It’s possible Bernard Roundhill worked for Chandler when he moved to Auckland around 1946; he was known to have worked for a now unknown advertising concern for a short time, before striking out on his own. However which business that was exactly has been lost to time.
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