longwhitekid

Archive for the ‘Bank’s Box Company’ Category

The Shelf Life of Reilly

In All Blacks, Aulsebrook's, Aulsebrook's confectionery, Bank's Box Company, C.M.C., cache, Christchurch Meat Company, CMC sheeps tongues, collecting, Convent of Sacré Coeur Catholic boarding school, Disprin, Erskine College Wellington, Farmer's Trading Co., Fresh-Up Mini drink, Garrattco, General Foods Corporation (NZ) Ltd, Grocery Archaeology, Heards confectionery, Henderson Sweets, hoard, ICI, Island Bay, Jaffas, James Smith Limited department stores, James Stedman, Kaiapoi Petunia Group Textiles Ltd, Kaiapoi Woollen Manufacturing Company, L. Reilly, LD Nathan Wholesale Ltd, Leonard Heard, Lifesavers, Lynn Mall, Mackintosh Caley Phoenix, Mackintosh's, Mackintosh's confectionery, Mackintosh's Toffee De Luxe, N.Z. Apple & Pear Marketing Board, New Zealand Railways, New Zealand Refrigerating Company, Newmans coaches, Nugget, NZ Rail, Peter Frederick Hilton Jones, Rabo, Reckitt & Colman (NZ) Ltd, Reckitt and Colman, Reckitt Colman Nugget, Sacred Heart College Island Bay, Sacred Heart College Thorndon, Sun Maid raisins, Sun-Maid Growers of California, Sweetacres, Terylene, Thorndon, Tip-Top, Transport (Nelson) Ltd, Trumpet, Wattie's, Wellington, Woolworth's Food Fair, Woolworth's supermarkets on June 16, 2013 at 10.46

1 Erskine College Stash Wellington - edit

A row of labelled cans retrieved from the hole, mostly 1960s vintage. Raro wasn’t launched until sometime in 1961, and the can looked like this from the beginning.  I have previously recreated this Wattie’s fruit salad label here, which
was definitely in stores in 1964, and Wattie’s cans were selling for 2/3 in that year. Imperial pricing pencilled on both items indicates prior to mid 1967, so  I’d date them (widely) between 1962-1967.

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Recently, a reader of this blog contacted me to ask whether I would help them date a cache of items that were found in an old school building complex. They had been discovered when vandals on the property had removed some of the floorboards in one of the old dormitories, presumably looking for copper pipes to take. Whilst attempting to secure the aperture, before there was some kind of accident, they noticed a couple of things in the recesses of the dim hole. Upon further investigation was a selection of items that had been discarded over the years by a former student, or plural.
Found repositories and the story they tell are one of my favourite things, like this lot, found inside a long forgotten American house cistern.
These types of accumulations are obviously very different from collecting in which the acquirer may be particularly discriminate about categories; or hoarding – where there is complete indiscrimination in regards to a singular, or often multiple genres. A good example of this is children’s scrap books and things that they select to keep and then edit, gluing in items that may appear to be random, but in fact are not at all – it is done with complete deliberation and within that selection of items is data that tells a tale of the time.

2 Erskine College  (Sacred Heart)  by Tom Law  TELPortfolio on Flickr

Erskine College, courtesy of and © Tom Law, TELPortfolio on Flickr.

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Discards on the other hand while equally as fascinating, have many different factors come into play that affect the agglomeration. Foremost, apart from the initial partiality involved in acquisition, what survives from that juncture is completely random – as opposed to any further intention being involved. There’s a lot of chance with what endures the circumstances and the environment – so many aspects become involved from thereon of what you will end up with. But essentially even though the items found may be just a fragment of a bigger picture, it can give you an awful lot of information about the lives of the people who discarded the items – you could write an entire thesis analysing the selection of items and the narrative it supplies.

3 Erskine College  (Sacred Heart) Adrian Pratt Life In The Land of the Long White Cloud blog

Erskine College, courtesy of and © Adrian Pratt, Life In The Land of the Long White Cloud blog.

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Wellington’s Erskine College, at the corner of Avon Street and Melbourne Road, Island Bay, Wellington was formerly known as Sacred Heart College, or in long form – the Convent of Sacré Coeur Catholic boarding school for women – until well into the 1960s when the name was changed to avoid confusion with Sacred Heart College in Thorndon. It is a collection of Category I historic buildings – as bestowed by the New Zealand Historic Places Trust – including former dormitories, and the Chapel of the Sacred Heart (considered one of the country’s best examples of Gothic architecture). Built during 1905-1906 by the Society of the Sacred Heart (Sacré Coeur), and designed by John Swan, it was not only convent and school but surrounded by a farm, gardens and a grotto.
Some of Peter Jackson’s film, The Frighteners (1996) was filmed at Erskine, especially the flashbacks, the exterior mansion shots and the chapel scenes. The flashbacks occurred on the third and fourth floors in the hallway outside the room where these items were rescued from. It also seems during the Nineties and Noughties that some of the buildings were used for art studios as well as exhibitions (Learning Connexion art school). It has also been, in the past, a very popular venue for weddings and other functions.

4 Erskine College  (Sacred Heart) Sacred Heart Convent School, Island Bay, ca 1900 Reference Number 11-002748-G Turnbull manuscript and pictorial

Sacred Heart Convent School, Island Bay, circa 1900. Courtesy of the Alexander Turnbull manuscript and pictorial collection, ref 1/1-002748-G.

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Not only is it considered a sort of teenage rite of passage to visit the abandoned buildings, but stories also abound in regards to the property being haunted which only encourages break-ins and vandalism. The current residents who say that since they have moved in to one of the accommodation wings on Erskine‘s grounds – there have been “no signs of ghosts yet” do attest to having to be vigilant and have kicked live trespassers out several times in the past. Those thinking about “exploring” inside should take into consideration that not only are some of the buildings dangerous given they are abandoned and deteriorating rapidly, but also closed off because they are earthquake prone. Options are the owners doing very costly stabilising work, or alternately demolition, discussed in an article here.

It’s a shame about all the politics surrounding the property. Quite frankly it sounds like the owner that bought it a decade ago or more, typical of developers, knew what he was in for but went in with plans to eventually try to overturn the heritage protection in any way he could, just letting it run down, tying everyone up with red tape, and then blaming everyone else for exactly the same thing. The on-going battle of wills is discussed in article here.

I predict eventually he will probably get a healthy leg up from local government for restoration as well as permission to remove all the non-heritage listed structures and build it in with apartments. I am sure he has plans to make his money out of it. In the meantime all the agitation in the community will probably only serve him to achieving his end goal I imagine. It’s one of those situations where, as they say – damned if you do, and damned if you don’t.

5 Erskine College and grounds in Island Bay Wellington courtesy Wekllington Scoop with Lindsay Shelton copy

Erskine College and grounds, © Lindsay Shelton and courtesy of Wellington Scoop.

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However, contrary to posting around the web saying there’s no electricity on the premises and nothing to restrict would-be adventurers, it is par-residential, there is a security system which is in place and working, as well as odd patrols after a break-in incident in which “youths tore up yards of flooring” according to someone who reported the incident on the College’s Facebook page. That’s obviously how the assemblage I feature here came to be inadvertently revealed – found in the main college building, one of two “red-stickered” areas on the property.

Erskine College  (Sacred Heart)    Wellington by Queenstitch blog edit replace Spiro Harvey pic copy sml

Erskine College in 2013, courtesy of and © Louise Sutherland at The Queen Stitch blog

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It is unknown whether all of the items were placed there deliberately (given that the floor board seems to have been easily removable, this is very likely), or some of the smaller bits and pieces just fell through the cracks into a cavity between the fourth floor and the third floor ceiling. It may be a bit of both. There may have been just one occupant to the room for a length of time who made a habit of doing that (unlikely that anyone else knew about the loose floorboard). Some immediate things that struck me – mostly the items were sweet things, such as snacks. Perhaps contraband, and disposed of where it would not be found. The schools may have been strict about eating anything in dorms – as well as junk food and non-school foods found in rooms. Along with the Disprins, You get the idea that these items may have been cravings that accompanied “that time of the month” perhaps. Sheep’s tongues may now seem a strange thing to have druthers for on the sly but no accounting for taste (not often seen on the lunch or tea table these days, they were extremely common in decades past; still popular even when I was a child). This tells me the person was missing domestic life and home cooking probably, and this was a little bit of “comfort”, or perhaps they were part of a care package from home. Of course a big question is – why they would put all those things under there when it was easier to put it in a bin? It does point to not wanting anyone to know about it, or for it to be found. It could be just as simple as laziness, or good old (Catholic) guilt. Or both.
It’s fun for me to try and narrow the cache down without any idea of dates or significant clues, but of course the biggest lead is a potential name . The serial litterer seems to be a fourth form boarder named L. Reilly. If we could track the person in question down, there may be some more information on the details of their life at Erskine and the motivation behind dropping this stuff into a gap under the floor. On the other hand, she may not like the idea that some things have been dredged up unexpectedly such as an English test she likely cheated on (otherwise why not just put it in the bin instead of stuffing it in a can and hiding it), or the nicked spoon that accompanied the empty tins, (which bears the college’s initials SH for Sacred Heart). Personally, I know I would feel a bit weird about people going through my old trash.

However, there’s a possibility that our culprit is included in one of the Sacré Coeur reunion photos in this archive here,  Which feature classes from 1930s onwards.

7 Erskine College Island Bay Wellington 1937 - 1938  Reference Number  12-046458-G Turnbull manuscript and pictorial

Erskine College, circa 1937-1938. Courtesy of the Alexander Turnbull manuscript and pictorial collection, ref 1/2-046458-G.

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All of the items were well-documented in detail which means quite a number of images. Ergo with the author’s permission I’ve selected and edited the most interesting and curious things for this article – either they have a good story behind them or they are the sort of thing that rarely survives the dustbin or dumpster so that in its self makes them worthy of being featured (how many used ice cream wrappers survive for example? Very few that I have seen).
The salvager is intending to use a section of the floorboard in question that had been pried up as the base for a small cabinet to protect and display the items as a fascinating microcosm of student life in days gone by.

8 Erskine College hole with can and spoon raisin packet

A shot of the hole with some of the items beginning to be retrieved – a can, a spoon and a Sun Maid raisin packet.

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So, what’s my prognosis as far as a time period on this haul? Initially I had dated it between 1965-1968.
Now I’ve gotten a good look at the Sun Maid packet below, this definitely dates between 1969-1976 – but probability is on 1971-1972. Since the Disprin bottle indicates things are as old as 1961, It’s looking likely there were multiple discarders over a successive period of up to ten years, but most of it was just one person with perhaps later items like the raisins and the NZ Rail ticket just slipping through gaps in the boards by chance. If I re-narrowed the dates to the least possible, it would still be 1967-1972.

Oh, and – L. Reilly…where are art thou, you naughty minx? No worry about getting detention now – so come out, wherever you are.

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Credits: all photos © Kylie Walker unless otherwise specified.

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9 Erskine College S H (Sacred Heart) spoon found in hole

Study of the spoon found with cans, S H (Sacred Heart) indicates it dates from before 1960 when the name of the institution changed to Erskine.

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10  Erskine College Stash Wellington - Form IV April literature test - hole copy edit  copy

On the left a page from a fourth form literature test. We suspect it may have been pinched in order to cheat, otherwise it would have been thrown in a regular bin and not hidden. The test questions, a Newman’s Coach ticket and the picture of P.F. Jones were all tucked away in a tin with removable lid. On the right, another shot of the hole in the floor.

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11 L Reilly Garment Tags copy

James Smith was a Wellington institution established in 1866 and ran until 1993 when Farmers’ purchased it from L.D. Nathan and shut it down. The five-story flagship department store was on the corner of Cuba and Manners Street. By the 1980s they had five branches around the Wellington area. By at least 1972 they were definitely known to have a devoted girls school uniform department so I would say that this dates from before that decade. I was unable to find any information on Garrattco or Rabo, indicating it was likely a company established post 1945 – the 1950s onwards. I think this came from a new uniform garment that was ordered and then fitted  in-store, and was brought with the person at the beginning of a term. Hence no price on the tag,and the measurements, as well as customer’s name scribbled on. I’m guessing early 1960s.

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12 Erskine College Stash Wellington -    L Reilly (dorm room) 35

Possibly a card with the dorm room number, as well as the name of the occupant. We do know that Reilly was in situ in the late 1950s-early 1960s, and likely around the age of 13-14 years old. ergo, born in the early 1950s.

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13 Erskine College Stash Wellington -  sweetacres jaffas box

This Jaffa Box is likely from the early-mid 1960s. I think they were running this design for a while so it could have been around up to the late 60s. Imperial weight only shows  it was definitely produced before 1972 . It was exactly the same in Australia. One clue here is the printer’s mark B.B. which likely stands for Bank’s Box (Company), who were around from at least the 1920s-1930s. They had factories in Auckland, and Wellington.

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14 Erskine College Stash Wellington - Wattie's sliced peaches early-mid 1960s cans and labels

This was in stores early-mid 1960s. Imperial indicates pre 1967. Wattie’s tended not to change some labels very often and would frequently run designs for over ten years or more. I have one almost identical except they have revised the picture of the peaches in the blue bowl, here.

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16 Erskine College Stash Wellington -  New Zealand Refrigerating Company sheep tongues CMC tin  copy

New Zealand Refrigerating Company ( also known as CMC or Christchurch Meat Company), was one of those products where they never really changed the label for decades. It pretty much looked the same from its inception back in the 1900s. As I recall CMC shut down around 1984. Given the cache are together, they probably date from the 1950s-1960s.

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17 Erskine College Stash Wellington -  PF Jones picture copy

Peter Frederick Hilton Jones played for the All Blacks in 37 matches including against the Springboks in Johannesburg in 1960 and notably scored a try in the 4th test of the 1956 South Africa tour of New Zealand. I wondered what significance the picture torn from a sporting article in a magazine has? It seems such a random choice that it’s in likelihood not random at all. There’s a few options: schoolgirl crush perhaps, or it had some kind of personal significance, or was used for some kind of drawing project. There are considerations in why someone would remove a picture to keep it, and then crumple it up throw it away stuffed in a tin where nobody would find it. Along with the test paper and the picture of P.F. Jones, the discarder obviously did not want anyone to find the items in a communal bin. I wonder if the sisters used to go through the rubbish looking for anything incriminating? I imagine it was very strict and even if not breaking a rule, it would be embarrassing to be questioned.

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18 Erskine College Stash Wellington - Musk Lifesavers  wrrapper likely 1960s

Lifesavers were actually around in New Zealand from the early 1920s. Again this was one of those products where they never really changed the label much except for minor adjustments. In later years  Parnell-based Heards confectionery, established 1914 by Leonard Heard, had the domestic license for this brand. It could date from any time between mid 1950s-mid 1970s probably, but I would guess the mid 1960s.

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19 Erskine College Stash Wellington - Kaiapoi School Wear hangtag edit

Kaiapoi Woollen Manufacturing Company was the first woollen manufacturer in Canterbury, established in 1878 , and closed in 1978 – so this item definitely dates before that time. In 1963, the company became Kaiapoi Petunia Group Textiles Ltd but there’s no indication of the company name here to help narrow things down. Again I’d guess 1960s for this school garment label.

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20 Erskine College Stash Wellington - Tip-Top Trumpet wrapper post 1964

Tip-Top Trumpet wrapper. These were launched in 1964, so this item is after that date.

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21 Giant Trumpet on a roundabout in Panmure, year unknown - ppost early 1964 although late 1950s models visible

Giant Trumpet on a roundabout in Panmure, Auckland, year unknown. Obviously post-early 1964 although late 1950s car models are visible. The design is the same as the wrapper above. Provenance of photo unknown, probably from the Fonterra Archives.

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22 Erskine College Stash Wellington - Tip-Top Trumpet wrapper post 1964 edit copy

Close-ups of the Tip-Top Trumpet wrapper. It is kind of amazing this has even survived. Given they were almost without exception tossed in the bin – or if kept easily damaged or deteriorated from contact with food, any frozen confection wrappers are extremely rare.

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23 Erskine College Stash Wellington - Aulsebrook's Chocolate Eclairs likely 1960s

I’ve never heard of this product but I would guess 1950s-1960s, more the latter. Aulsebrook’s commenced to manufacture confectionery sometime in the 1890s and were probably the biggest brand in New Zealand next to Cadbury Hudson. Wrapped candies in bags or packets seem to have popularised from the late 1950s-early 1960s. Singular indicates that it may have just slipped through the floorboards but unlikely. It is likely they were part of a Woolies pick ‘n’ mix, purchased in the bags below. There may have been other different wrappers but they have either disintegrated, been eaten by insects, or carried away by rodents to a nest.

Update early 2015: One of my readers has now claimed they remember these being made in the 1970s.

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24 Erskine College Stash Wellington - Woolworths cellophane bags likely for pick and mix candy  copy

So, these are the bags for some of the random lolly wrappers like Aulsebrook’s above. I’m theorising that because the bag is printed with “fresh” indicates it was made specifically for marketing food, the striped peppermint canes of the font pretty clearly indicates candy. Woolies didn’t really start having separate food markets until late 1963 onwards. this logo was definitely in use at that time. Before that Food Fair was always a department. I would take a stab at mid-late1960s for these items.

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25 Woolworths Variety Store  Lynnmall New Lynn night before official opening 1963 Confectionery section with Refreshment Bar near front of store

Woolworths Variety Store, Lynnmall , late 1963. This photo shows the confectionery section with Refreshment Bar near front of store. Woolies would have open glass pick and mix bins, you can see them to the left. I remember as a very young child going to (this particular) store and occasionally being allowed to get a selection. Photo courtesy of and © Lance Bates, Degilbo on Flickr.

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26 Erskine College Stash Wellington - Macintosh's Barley Sugar wrapper likely 1960s 2

I’m not familiar with this particular product, but obviously I remember the Mackintosh’s brand very well – particularly their bagged Toffee De Luxe which was extremely popular in the 1970s-1980s. I would guess 1950s-1960s for this, more the latter. These kind of snap-apart bars were popular in the late 1950s-early 1960s from ads I have seen.

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27 Erskine College Stash  mackintosh barley sugar bar inner and outer wrappers copy

Inner and outer wrappers of above , showing the embossing on the foil. You never get to see things like this outside of a scrapbook, and even then people tended not to keep foil – it was usually easily damaged in the unwrapping and not that interesting anyway in comparison to the outer.

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28 Erskine College Fresh-Up Mini  copy

Mini Drink, which was pretty much Fresh-Up in a different can –  was apparently launched by the N.Z. Apple & Pear Marketing Board in 1967, according to company literature (I don’t know if I believe this date entirely). If I had guessed without knowing anything about a date I would have guessed 1966-1970.

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29 Erskine College Stash Wellington - Sweetacres Minties and paper bag New Zealand likely 1960s 1

A dozen or so Sweetacres Minties wrappers were stuffed in a grease-proof paper bag. I do wonder why it was not in a proper Minties bag or container. I guess they were bought locally from a dairy or corner grocery and were from a bulk counter tin. Minties were present in NZ from the 1930s; Sweetacres was an Australian Brand made by Henderson Sweets/James Stedman. This was one of those products where they never really changed the label (and still haven’t much). I’m a little confused about the history of Sweetacres in Aotearoa but I believe that Griffin’s had the rights for the brand until 1984 when Pascall purchased it. So it’s one of those things that you can’t really narrow down unfortunately. I would guess 1960s.

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30 Erskine College Stash Wellington - NZ Railways ticket folder and stub and Newmans coach ticket copy

Newmans has run coaches since the 1870s but it was in the mid-late 1920s that a fleet of motor vehicles was established. It remained a family-owned business through to 1972 when it merged with Transport (Nelson) Ltd, so it’s likely this ticket on the right dates before that time. As for the New Zealand Railways cover and stub on the left – I get a late 1970s-early 1980s vibe from these graphics, giving credence to possible multiple discarders. It could not  be any later than the end of 1985 as the school shut at that time. This was the kind of ticket that was for long train journeys cross-country so obviously was from a pupil that travelled quite some distance to board at Erskine.

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31  Erskine College  (Sacred Heart) STerylene Tag copy

This label from a garment indicates it was printed in Britain and I can’t see any reason that would be done unless the whole garment was made there and imported. ICI didn’t start commercial manufacture of Terylene in England until after 1955. I am sure this fabric revolution made its way down under pretty quickly, but it still would have taken some time. I am guessing early 1960s for this item.

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32 Erskine College Stash Wellington - Sunmaid Raisin box imperial to metric changeover 1969-1976

Sun Maid raisins, imported from the Sun-Maid Growers of California in the U.S., were present in New Zealand from the 1920s and the imagery and packaging barely changed well into the 1980s. It’s probably still the same now. It would be really hard to date this item if it wasn’t for the presence of dual systems indicating the weight. Metric began to be introduced in 1969, and the bulk of the changeover was undertaken over 1971-1972. However up until as late as 1976 both were included on some products for those that were pretty slow on the uptake. However what should be taken into consideration is when both metric/imperial was included in duality on American packaging for export, even though they never switched over themselves. As far as I am aware an Act to include both on domestic products was only introduced federally in 1992. However this practice for exported goods may have commenced earlier than New Zealand introduced the metric system, to cover a multitude of different countries and accommodate their various systems.

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33 Erskine College Stash Wellington -  Disprin bottle  copy

Reckitt & Colman (NZ) Ltd changed to Reckitt, Colman, Nugget in the very early 1960s – definitely by May 1961 – so this bottle likely dates before this – perhaps stretching out the date of the stash taking into consideration that it may have been old stock, or were sitting around for a couple of years until finished and discarded. There’s a possibility that the company just didn’t bother updating the company name or had piles of packaging stock to use up that lasted some time. I’d like to think that we have a single discarder, but this indicates not – and that other boarders knew about the hidey-hole.

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All content of Longwhitekid copyright Darian Zam © 2013. All rights reserved.

Fruits Of Commerce: The Bountiful Depictions of Joseph Bruno Moran

In Abel Dykes Ltd publishers, Alexander Turnbull Library collection, Auckland Art Gallery collection, Auckland Star newspaper, Bank's Box Company, Brett Printing and Publishing Company Ltd, Brown Barrett, Bushell's coffee and tea, Champion Flour, Charles Haines agency, Clark & Matheson map publishers, commercial artist, Dominion Mark Fruit, Frank Duncan & Co Ltd, graphic designer, Household Necessity Company, Johnstons Ltd tea, Joseph Bruno Moran, N.Z. Fruitgrowers' Federation Ltd, Northern Roller Mills (NRM), NZ Herald newspaper, Palmerston Buildings, publishers, Roma tea, Smith & Caughey department store, Wilson & Horton publshers on February 22, 2013 at 10.46

Dominion Mark Fruit Book 1934 (NZ) EDIT

The front cover of the Dominion Mark recipe book, published 1934. A beautiful design attributed to Moran, and refers to the series of greengrocers’ posters in the back, but no specific mention of one that links back to any of his known work.  

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Generally the artist does not matter a great deal in the scheme of the finished product, and stays forever in the background – never to get any attention or acknowledgement for their sometimes spectacular work. Having spent nearly fifteen years in that commercial art realm myself I certainly understand this aspect.

dominion mark  fruit - health fruit poster diet - Probably by Joseph Bruno  Moraalexander turnbull image and pictorial

Poster for greengrocers commissioned by Dominion Mark, c. 1920s-1930s, watercolour, pencil and pen. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-F-MORAN-01.

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I also  certainly know that the commercial  artist  often has more input than we are aware of; well – that’s the point which is confirmed when talking to commercial artists of yore – back in the day when roles like the high-faluting  “art director”,  and even “copy writer”, were terms that had not yet been created or at least were far and few between – the artist would often encompass an element of all of those jobs.

19th century fabric design gouache on paper French

An example of late 19th century fabric design, in gouache on paper.

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 Although some celebrated artists like Dick Frizzell not only were elevated to more of a creative input role, but went on to garner cred in the fine arts world as well – Joseph Bruno Moran was an artist who embodied the completely authentic role of purely making commercial work , as exemplified in the Alexander Turnbull Library collection as well as that of the Auckland Art Gallery–  of which both institutions share a  collection of  Moran’s most beautiful items.  This is underlined by the fact that you can see the rendering process in a number of them; pencil marks and notes and paint brush strokes just underline the legitimacy.

New Zealand gravenstein unexcelled for dessert health fruit poster Probably by Joseph Bruno  Moradietalexander turnbull image and pictorial

Poster for greengrocers commissioned by Dominion Mark, c. 1920s-1930s, watercolour, pencil and pen. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-F-MORAN-02.

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Many examples are lush, beckoning  fruits – pears, apples, and citrus – created as crate labels for Dominion Mark, the “brand” of the N.Z. Fruitgrowers’ Federation Ltd,  and they will be familiar to many as they are often held up as some of the best early examples of New Zealand commercial art. I bet the fruit boxes have never looked this good (before or) since.

Champion Flour Ad - Mucle Raiser copy colour corrected

Champion flour poster, gouache, circa 1920s. Auckland Art Gallery collection, Toi o Tāmaki, gift of Mrs K M Marsh, 1976. Accession Number: 1976/40/1/12

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aHe also created  a number of posters  on the same topic,  commissioned  for display in greengrocers’ shops around the same time he completed the cover of their Dominion Mark Fruit Book (1934). It seems that the posters were in conjunction with the NZ Herald, so they may have been given away in the newspapers of the period. (Wilson & Horton, New Zealand’s leading news and information company owned the NZ Herald –  and were one of Moran’s private clients).

Nabob Bombay chutney condiments Probably by Joseph Bruno  Moran alexander turnbull image and pictorial

Watercolour, pencil and pen rough for chutney label, circa 1920s. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-A-MORAN-07

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aJoseph Bruno Moran was born in 1874 at Chorlton-cum-Hardy, Manchester, Lancashire to mechanical engineer James (1940-1900) and Eleanor Mary A. Moran nee Weightman (1852-). He was one of five children and the oldest. His siblings were James Aloysius (1876), Agnes (1879), Clara May E. (1884), and Eleanor Mary (1893). The family stayed in Stretford, residing at 18 Rose Street in the 1881 British census, and remained in the area well into the 1890s.

It was here  that he began in the field of textile design. By the time he was 17 years old, and living at 50 Combrook Road, Stretford with his parents and one brother, he is already a designer’s apprentice.  Given some of the gouache art samples I have seen produced by mills in the late nineteenth century his later skill with the brush in this medium for advertising makes sense – as his brilliance would stem from his training in this field.

Joseph Bruno Moran political cartoon

Political cartoon, pen and ink, likely for the Auckland Star, circa mid-late 1910s.  Credit: Auckland Art Gallery collection, Toi o Tāmaki, gift of Mrs K M Marsh, 1976,  Accession Number:1976/40/3/5

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In 1901 he is living at 31 Leaf Street, Chorlton-on-Medlock,  South Manchester, as a boarder. He lists his profession at the time as fabric and embroidery designer. As a result of the  Industrial Revolution, the population of Chorlton as well as many other areas of Manchester, quickly increased  “a hundred fold” and the town became filled with textile mills, and overcrowded, poor quality housing with  dismal  sanitation. Still, it meant plenty of work locally  for those of a creative disposition.

Kowhai Brand apricots Whoisit & Co fruit canners Auckland 1920s Joseph Bruno Moran

Watercolour, pencil and pen rough for canned fruit label, circa 1920s. Probably a sample for portfolio – I doubt “Whoisit & Co” really existed. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-B-MORAN-08

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He left the U.K. for New Zealand,  from the London port in 1912 and travelling to Auckland via Sydney, Australia. Why he decided to emigrate will probably remain a mystery. He had married Emma Barbara (nee Travers) in Chorlton in 1907. She was  a number of years younger than him,  being born 1885 in Prestwich, Lancashire.

Joseph Bruno  Moran Fruit 1920-30s not it says NZ Herald Ltd alexander turnbull image and pictorial

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Lithograph illustration commissioned by the NZ Herald newspaper c 1920s-1930s, Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-D-MORAN-1920s-03

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 In 1911 he was working as a designer for calico prints, in South Machester. The couple were  living at 5 Baldock Road, Didsbury, South Manchester, with a baby daughter, Kathleen Marie Moran (1910-1986). Both Kathleen and her mother followed Joseph to Aotearoa one year later, leaving from London in 1913. There were three other children born in New Zealand of which both sons died in their twenties; James Rene (known as Jimmy, 1918-1944), Edward (Teddy, 1916-1937) and Annie Moran.

buy lemons and make lemonade joseph bruno moran

Poster for greengrocers commissioned by Dominion Mark, c 1920s-1930s, lithograph. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-D-MORAN-1920s.

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Upon his arrival he worked as a salesman for a couple of years. He was living in a building named “Kelvin”, in Reimers Ave, Mt Albert. Concurrently Emma Moran was either living separately in  Edendale Rd Kingsland, or the Kelvin address was a studio to build up freelance work (a more likely scenario, although why give it as a residential address and not ascribe his true profession). The other obvious possibility is that the couple were simply separated at the time.  He was employed by the Auckland Star newspaper as a commercial artist some time during or after 1914.  A few examples of his political cartoons in pen and ink, done for this paper survive, but whether he conceptualized them as well – we don’t know.

Maori wonder land Frank Duncan & Co Ltd c 1920 possibly designed by J B Moran add logo   copy copy

Maori Wonderland picture album, published by Frank Duncan & Co Ltd, c. 1920. Possibly the cover, as well as the company’s logo, were designed by Moran. Courtesy of Early Canterbury Photographers blog, canterburyphotography.blogspot.com

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In the mid-1910s he was working as an assistant lithograph artist, then there is an indication that he served briefly in the first world war,  as he is listed in the  New Zealand Army WWI Reserve Rolls of 1916-1917  – this may have been in the capacity of war artist.

EAT FRUIT by Joseph Bruno Moran 1920 copy

Poster for greengrocers commissioned by Dominion Mark, c 1920s-1930s, lithograph. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-D-MORAN-1920s-01.

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aIn 1919  he is again on record as working as salesman. The family are living at 102 Burnley Terrace, Mt Roskill. This same year he started his own business in the Palmerston Buildings opposite the Auckland Post Office, on the corner of Queen and Custom street (an Italiante office block from circa 1900 – demolished around 1970). His clients included: Bushell’s (tea, coffee), the Northern Roller Milling Co (flours and cereals), Harvey & Company, Clark & Matheson (mainly travel maps and posters), Smith & Caughey (department store on Queen Street which is still operating today), John Weeks Ltd,  Duncan & Co (postcards and other  tourist goods such as books and albums).

Troopship_ZTPAR_01 The Parting of the Ways Troopship Journal Digital image courtesy of Dunedin Public Libraries  by Abel Dyke Ltd poss J B Moran

“The Parting of the Ways”  Troopship Journal,  by Abel Dyke Ltd, published 1919. Digital image courtesy of Dunedin Public Libraries, Ref: Troopship_ZTPAR_01. I thought this may have been possibly designed by Moran, thus included it. However since writing this article some time back, a copy turned up at auction showing an advert on the back cover for Cailler’s chocolates designed by leading advertising agency Charles Haines. It doesn’t mean that Moran didn’t design the cover illustration; but seems unlikely now. 

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Also – Johnstons Ltd (tea, the warehouse was at 20 Customs Street East), Household Necessity Company (No Rubbing laundry help was one of their products ), Brett Printing and Publishing Company Ltd,  Roma Tea company (I have a lot of ads, it’s hard to say which if any are Moran’s, and Charles Haines Agency definitely still had Roma as a client in 1920).

William Bon Cretien Pears - Gravenstein

Crate label designs in Watercolour for Dominion Mark Fruit, N. Z. c1930s. Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Numbers: Eph-B-MORAN-11 and Eph-C-THORP-01.

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In addition – Brown Barrett & Co (which I covered recently here),  Abel Dykes Ltd (printers, engravers, and bookbinders – their big business was stationery). In 1920 he designed an illuminated address from the Legion of Frontiersmen for the visit of the Prince of Wales which was  held at the Art Gallery in Manchester- going full circle.

Smith and Caughey Ltd 1926 Turnbill M & P Reference Number Eph-A-COSTUME-1926-01-cover

Fashion illustration, not confirmed as Moran’s work but does look like his style. Photo-lithograph, Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Number: Eph-A-COSTUME-1926-01-cover.

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The fact that he was described as a “salesman” again when he was most likely running his own business as a  commercial artist makes me wonder whether the previous same description just after his arrival in the country was just a way of describing him as a freelancer. Although, again – why not just ascribe an accurate profession as done at all other times? It makes more logical  sense that it is an accurate description and during times of difficulty or urgency he did indeed take other work. How relative it was to advertising, I do not know.

In 1928 the family were living at 27 Mountain View Rd, Mt Roskill when they picked up and left for Wellington, where Joseph worked for the Bank’s Box Company briefly while they lived at 45 Karepa Street. Sometime between 1929 and early 1931 they returned to Auckland.  Apart from that work foray he resided the rest of his life in Auckland at 18 Reimers Avenue, Mount Albert. their unmarried daughters are registered as living with them; Kathleen in 1938, and Annie during 1946-1949.

Bushell's Tea - Old King Cole ad Joseph Bruno Moran

Bushell’s tea  poster, gouache, circa 1920s. Auckland Art Gallery collection, Toi o Tāmaki, gift of Mrs K M Marsh, 1976. Accession Number: 1976/40/1/1.

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The N.Z. Fruitgrowers’ Federation Ltd was also based in Wellington so they were obviously relative to his period  there (and likely explains why he didn’t choose to stay in Auckland and work for the Bank’s Box Company branch instead);  and it was around this time that Moran started to do his most well-remembered work for them. Most sources quote circa 1931-1935 for his fruit labels and posters but I’d take a quite educated guess they were done between 1928 and 1931.

ROMA JOHNSTONS ADS POSS MORAN  copy

I have dozens of ads that could possibly be by Moran. These are two examples of work that may possibly be his – as they were both clients at this time. Johnston’s teas,  Auckland Star ,  October 1922, and Roma tea,  Auckland Star, December 1925.  Courtesy of the National Library of New Zealand.

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aBy mid-1931 was employed as head of the Art Department at the NZ Herald in the commercial printing section; and there he stayed for over twenty years. He worked almost up until his death, finishing at the Herald just twelve weeks before he passed away.  He died in 1952  at 78 years old.

Johnston tea tin probably designed by Moran  copy

Johnston Ltd tea tin probably designed by Moran, circa 1920s.

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aFor someone who was precise enough never to fail in using their middle name, there is surprisingly little documented about his life and career.  I don’t really  know anything else about his background or persona, or expect to find anything more than I have – excepting that he and his wife bought land off a Denis Joseph Whelan  just a few years prior to his death in 1945. His wife died quite some time after him in 1970, at the ripe old age of  84 in Murrays Bay on the upper North Shore, and it was likely after this event that his daughter ( by now Kathleen Marsh-Wildgoose) thought about preserving his memory through his work.

DOMINION MARK FRUIT BOOK NZ 1934 artwork must be by Joseph Bruno Moran

The front and back cover of the Dominion Mark recipe book, published 1934. Undoubtedly Moran’s work. The cooking manual contained recipes for jams, preserves and instructions for bottling. 

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He was skilled in pen, watercolours and oils, a lithographic expert, and a magician in gouache. If  it was not for his daughter supplying some notes on his career  as well as a small collection of art and ephemera in the mid-1970s to the Auckland Art Gallery and Alexander Turnbull Library –  it is likely we would know nothing of Moran and his career today except for some odd  surviving examples of  incredible, but potentially anonymous  artwork.

Cox's orange- Washinton

Crate label design for Cox’s, for Dominion Mark Fruit, N. Z. c1930s,  Lithograph, Alexander Turnbull Library Manuscripts and Pictorial collection, Reference Numbers: Eph-C-THORP-02. Crate label for Dominion Mark Fruit, N. Z. c1930s, photo-lithograph. Auckland Art Gallery collection, Toi o Tāmaki, gift of Mrs K M Marsh, 1976. Accession Number: 1976/40/1/16. Both attributed to Moran.

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All content of Longwhitekid copyright Darian Zam © 2013. All rights reserved.

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Addendum mid-April 2013: Whilst scratching around in the process of  trying to find more information, I followed up a lead on property-seller Denis Joseph Whelan to see if there were any more clues on Moran. There weren’t that I could find – it seems Moran and his wife bought the property planning for retirement and that is where Emma Barbara Moran lived out her days. It revealed scant data associated to my story, however it took me on a little journey and I ended up connecting with a Whelan descendant who sent me via the USA some wonderful pictures of the Whelan/Robb  family taken in an Auckland studio, I’m speculating in the mid-late 1880s. 

Denis Joseph Whelan  (1869-1947)  likely immigrated to New Zealand in the 1880s , between 1881-1890, just  prior to UK passenger records being kept. The only Denis Whelan born 1869 shows up in the UK census as living in Gloucestershire in 1871,  then Essex in 1881 – yet born in South Australia.He is absent from the UK by 1891.  There is nothing to rule out he and his family  travelled back and forth. You would think that with a journey taking months on board, that anyone would be reluctant to re-live that experience more than once in a lifetime – however it happened more often than you would imagine.

 Whelan was a former blacksmith who had once owned a carriage builders Wharton & Whelan in Newton Rd on the corner of  Symonds Street, Auckland with Robert Sydney Wharton, in the early 1890s. They were “makers of waggons (sic), drays, carts, buggies, & vehicles of all descriptions ” . The partnership dissolved in 1894.  He went bankrupt in 1899, and was discharged from the bankruptcy in 1900.

He  married Sarah Ann Robb (born 1871)  in 1894 and they had several children: Joseph 1894, Lilian Maria 1896, Catherine Irene 1897, Muriel Constance 1899, Evelyn Aileen 1902, Albert James Roy 1903, Edward Leslie Raymond 1905.

The same year he sold land to the Morans, he also sold Hector Sutherland McKenzie and Edna Freer McKenzie some land he owned. He died just two years later. His wife had predeceased him in 1942. One can assume he was ill and needed the money to get by to the end.

The images below are of the Robb family; Denis Whelan’s in-laws James and Maria Robb, and possibly Sarah Ann Robb and/or her sisters Eliza Peel  Robb (born 1866) and Maria Jane Robb (born 1868). James and Maria Jane’s other children were James Robb 1869, Henry Robb 1875, William John Robb 1878, and Anna  Robb 1874 – who  died at 9 weeks old and is buried with her parents,  in the Symonds Street Cemetery in Auckland in the part on the corner of Karangahape Rd. Presumably if there were other offspring they entered the world before the family emigrated from Ireland and there were not  records. Little directly relevant to my topic but it was an interesting  side trip, anyway!

 

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Sarah Robb Denis Joseph Whelans wife and-or her sisters Eliza Peel  Robb (born 1866) and Maria Jane Robb (born 1868) EDIT SML

James and Maria Robb’s children  circa late 1880s; photographed in Auckland. Likely  Sarah Robb, Denis Joseph Whelan’s wife, and/or her sisters Eliza Peel  Robb (born 1866) and Maria Jane Robb (born 1868). Image courtesy of Jennie Shelley.

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WHARTON & WHELAN coachbuilders - Bay Of Plenty Times  18 February 1895 Page 1 copy

Advert for Whelan’s coach-building business from the Bay Of Plenty Times, 18 February 1895.

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Sarah Robb (wife of Denis Joseph Whelan) parents were James and Maria Jane Robb (d 1898) EDIT sml

James and Maria Robb, circa 1880s; Sarah Robb’s parents photographed in Auckland. Maria Jane Robb Sr. died in 1898 described as “settler”. I doubt the two pictures were done in the same studio of R H Bartlett who was working in an Auckland studio from 1866 to at least the early 1890s. Image courtesy of Jennie Shelley.

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Wharton & Whelan dissolution of partnership - Auckland Star  9 August 1894 Page 12 copy

Advert for  dissolution of Wharton and Whelan’s coach-building business partnership, from the Auckland Star,  9 August 1894.

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Addendum mid-Jan 2014: I’ve done a lot of updates to this story because of new information that has come in about Moran’s life both in England as well as in Auckland. It was a bit thin on the ground before; but I’ve filled in some of his movements, for instance – it was 1928 he moved to Wellington, not 1925 as other sources claim. Which means his stay in the capital city was fairly brief. Perhaps it was not a success. Thanks to descendant Barbara Sheridan for providing information on her ancestors which has helped give a better picture of Moran’s life and career. In addition, I’ve also run across some images lately that I suspect may be his work: 

Canterbury Souvenir Tourist Booklet -  South Canterbury Chamber of Commerce- 1926 edit

This souvenir tourist booklet published by the South Canterbury Chamber of Commerce in 1926, came up for sale on Trade Me just recently – and bidding was fierce for this gorgeous piece of artwork. I am very sure this is Moran’s work. Everything from the child’s face, to the fonts, to the colour palette is so typical of his style.

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Oak Tomato Soup - Thompson & Hills Ltd - 11 ozs can label - Owain Morris collection

A can label from Dunedin collector Owain Morris’s fantastic extensive collection of OAK memorabilia. You can just see the note in the bottom right corner that indicates it was designed and printed at the N.Z. Herald, aka Wilson and Horton or W&H for short. This was produced in the 1930s and would have been created under the direction of Moran who was in charge of the art department at that time. I can’t say for sure whether any of the labels from this period were actually designed by Moran himself. Generally the work on OAK labels is verging on primitive at worst, and at best it’s usually nowhere near the level of finesse usually attributed to Moran’s amazing lithographic skills.

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OVALTINE VINTAGE ADVERTISING POSTER - c 1920'S edit

This 1920s era lithographed poster for Ovaltine also came up at auction recently. It was a bit damaged but a lovely piece and I’ve never seen another like it. Cursory research turned up nothing similar done in Britain or elsewhere so it’s quite possible that it was a Kiwi-designed and produced item.  I am not completely sure it is Moran’s work –  but it does look strikingly similar to his style during his 1920s freelancing period. Another hint is the font. Moran’s hand-painted fonts were deceptively simple and yet upon examination are usually quietly flamboyant with all kids of kicks and curls in them. Yet they never looked particularly fussy. Over all it reminded me straight away of his “Eat More Fruit” poster (in article above).

DELICIOUS APPLES ADVERTISING BANNER for DOMINION MARK FRUIT, NZ Joseph Bruno Moran edit

This point of sale banner for a grocery/fruit shop wall came up for sale on Trade me a while back, pretty sure it was just after I had published this article. It started off with a rather nominal price and within a few days jumped to about 500% (I think they may have read my piece and realised what they had). As I recall it was about a metre in length, maybe a lot longer. Undoubtedly a Joseph Bruno Moran design for Dominion Mark – not even debatable. This would have been designed in the 1930s but may have been in print for a long time, perhaps even into the 1960s. They tended to run these for a really long time. I remember quite a few of the older health and fruit poster designs were still in print when I was young. And no false advertising – it’s true that delicious apples are delicious.