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Archive for the ‘Goldpack Products’ Category

Sentiment For Sale

In Butland Industries, Christmas, Cinderella stamps, Conrad Frieboe, Crown Lynn, DIC department stores, Evelyn Clouston, Farmer's, Farmer's Trading Co., Farmers' Santa, Foodstuffs (NZ) Ltd, Four Square, Four Square Supermarkets, GHB grocery stores, Goldpack dried fruits, Goldpack Products, Good Housekeeping Brand stores, Hallenstein's, J. H. Whittaker and Sons, J.R. Butland, James Smith & Sons, James Smith Limited department stores, Maple Furnishing Co, McCall's magazine, Moggy Man, Moggy Man TT2, New Zealand School Journal, New Zealand Woman's Weekly, Newdick & Co cakes, Santa Claus, Santé bar, Titian Studios, TT2, Uncategorized, Whittaker's chocolate, Winstone Limited, Xmas, Xmas Parade on December 25, 2015 at 10.46

 

Four Square POS Sign  CHRISTMAS GREETINGS made for the  4 Square Four Square stores 1940S-1950s edit copy copy

Foodstuffs Ltd point-of-sale cardboard poster for a Four Square Xmas promotion, probably late 1950s-early 1960s. If you want to read about the history of this iconic brand and huge chain of grocery stores, I wrote about it here. Go for it. 

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Here we are back at the festive season again. I just don’t know what happened to this year; I do know that I’ve only managed to post about six times which is a marked difference from the previous years, understatement. At least a couple of those were substantial.
December the first marked five years of the Longwhitekid blog. I had a special image saved and everything, but even though I definitely had something to say on the occasion – I couldn’t make time to do anything with it.

This is the fourth or fifth annual Yuletide-themed post. Somehow I managed to gather a huge amount of Christmassy (yes, that is a term, because I say so) stuff into my file for this one; I’m not sure why that happened.  However I had a lot to choose from. So, I’ve focussed on the 1950s, 1960s and 1970s this time around -with a palette of red, blue, white and black (mostly). Inevitably, most of the images are commercially related hence the title of this article.

I’ll be back around new year with the regular article of the top fifty most popular images of 2015 as voted by my readers. It will probably be quite different since my membership went up by thousands (in part due to a mention in the NZ Herald) and some things got hundreds of likes. I sort of have an idea what the top image was, but the rest will be just as much as surprise to me as it will be to you. Until then, happy holidays and all that stuff.

Toby jug - Santa Clausa Crown Lynn Potteries Limited Portage Ceramics Trust collection edit copy

A Santa Claus Toby jug by Crown Lynn Potteries Limited, designed by Vic Lawson and manufactured between 1942-1957.  I have no idea how rare this is and if it would fetch the same kinds of prices as their other scarce ones like the Wahine (technically, the latter was mostly made by Titian Studios 1947 – 1970, before CL bought them out). Image courtesy of Portage Ceramics Trust collection at Te Toi Uku Clayworks (aka the Crown Lynn Museum), Auckland portageceramicstrust.org.nz

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1907-1960 Pt 3 1957 unknown hobbies and things to make poss Conrad Frieboe copy

An unsigned illustration from the New Zealand  School Journal, part 3, 1957. I’m guessing this is probably the work of Conrad Frieboe, who had a long career working for the Department of Education on various publications from the 1950s through to the 1970s as well as for book publishers and magazines like ‘Stitch’ ( for which he did beautiful work). Image courtesy of the  Doris Chadwick Collection of educational publications,  D233, NZ School Journals Vols 51, 1907-1960 , UoW Archives. 

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Whittaker's Sante Does Exist Campaign Xmas 2012 edit copy

Advert from Whittaker’s chocolate Christmas campaign, 2012. Sante does indeed exist, and has for a very long time in Aotearoa. Although the line has almost become a ‘brand’ in its self for this company, it was once considered pretty much generic – and everyone from ‘Hudson’s’ to ‘Beatall’ had a crack at it over time.

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DIC Santa photograph holder Owain Morris collection edit

Cover of a Christmas brochure for DIC department stores. This chain, originally named the ‘Drapery and General Importing Company of New Zealand Ltd’, was founded in 1884 by one of the Hallensteins – Bendix (1835-1905). He was also responsible for founding, earlier in 1873, what was to become Hallenstein Brothers – one of the country’s most successful brands historically, and still going today. DIC grew to at least thirteen stores around the country until it was phased out in 1991, after being taken over by rival Arthur Barnett’s. Image courtesy of Owain Morris collection.

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Santa parade  1958 along Cambridge Terrace Wellington City Libraries

Santa parade of 1958, along Cambridge Terrace, Wellington. This must be the same annual James Smiths Ltd  department stores-sponsored one that travelled the same route, which I wrote about here. Image courtesy of  Wellington City Libraries collection.

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Z Farmers Free Bus from K Rd arriving at the Farmers store with Santa on guard - Graham C Stewart from the Garth Stewart collection edit copy

Farmers Trading Company’s famous free bus from Karangahape Road, arriving at the Hobson Street store with Santa in place in his original location. Of course this building is now a boutique hotel,  so these days he is on the front of the Whitcoull’s store in Queen Street, where he’s been placed every season for quite some time now. In recent years his lascivious wink and beckoning finger have been removed because parents are weird about stuff that’s all in their head and nobody else’s. Thanks for making Santa dirty, folks. Image possibly taken in the early 1970s (this looks like one of those old green buses), courtesy of Graham C. Stewart, from the Garth Stewart collection.

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The Maple Cake tin The Maple Furnishing Co KRd edit copy

A promotional Christmas cake tin given as gifts to customers of ‘The Maple.’ Presumably this refers to home decorating institution the Maple Furnishing Co Ltd, which was on the north side of Karangahape Road, Auckland near Symonds Street, as well as branches in Onehunga and  Wellington. It had been around since the 1910s, being known for high end furniture – including designer Featherston of the famous and highly collectable chairs. You can see another 1920s picture of the business here. It was purchased by Smith and Brown in about 1970 who had a chain of over twenty stores around the country. It became Smith & Brown & Maple but only lasted until around 1979. I am guessing this tin dates from the early-mid 1960s.  I suspect it may have been done for the business by cake manufacturers Newdick & Co who were also situated close by and are known to have specialized in decorative Xmas tins to market their products. 

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Santa Parade 1969 High St Dannevirke Tip-Top Moggy Man  Dannevirke Museum

Santa Parade, 1969, High Street,  Dannevirke. Tip-Top’s ‘Moggy Man’ novelty started out as the iconic baby boomer icy treat the ‘TT2’ in the fifties – and lasted into the 1970s. I’ve previously written about the historical development of the product here. Image courtesy of the Dannevirke Museum collection.

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Vintage Christmas Decorations 1950s-1960s courtesy Gertrude Snyder Vintage Treasure In Martinborough page

Glass Christmas tree decorations dating from the 1950s to 1960s. We used to have these on our family tree and some went back to my great-grandparents who had owned them before WWII. Every year the hoard would shrink as inevitably one would get broken somehow; the wind, or the cat – or a clumsy child. Image courtesy of Gertrude Snyder, Vintage Treasure In Martinborough at facebook.com/vintagetreasurenz  or vintagetreasurenz.com

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Family around the Christmas tree from the Oamaru Mail 1965 North Otago Museum edit copy EDIT copy

A family around the Christmas tree, from the Oamaru Mail, 1965. Image courtesy of the North Otago Museum collection.

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Doris Chadwick Collection D233 UoW NZ School Journal Pt 1 & 2 1957Evelyn Clouston Manger Xmas Jesus copy

Illustration by one of my favourite Kiwi illustrators, Clouston. Evelyn Maryon Clouston was born in Auckland in 1906, and had a lengthy career designing for the School Publications Branch, Department of Education in Wellington , as well as for various publishers such as Whitcombe & Tombs and Paul’s Book Arcade. She also worked for publishers in London for a spell. Image from NZ School Journal, Parts 1 & 2, 1957, courtesy of the  Doris Chadwick Collection of educational publications,  D233, NZ School Journals Vols 51, 1907-1960 , UoW Archives. 

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GHB Xmas Club (1966) GHB STORES

An advert from a GHB cookbook, published 1966.  GHB was a smaller, lesser known chain of grocery stores with a self line (tea, soap powder, etc), that existed from the 1950s until some time in the 1980s. It stood for ‘Good Housekeeping Brand’ (I don’t think it had anything to do with the magazine of the same name). They were still significant enough to issue several versions of this tome through the fifties and sixties. I get the idea it was located around the upper half of the North Island only.  Locations I know of were Auckland, Dannevirke, Pahiatua, Kaikoura, and Hawke’s Bay. Image courtesy of Mike Davidson collection. 

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F Winstone staff Christmas Childrens party lolly scramble Flletcher Trust all rights reserved Item #6351P fs 28 edit copy

Remember lolly scrambles? They’re probably a thing of the past now because everyone’s so precious about OHS issues. When I was a kid we were inevitably in Northland during the holidays – and in Waipu candy would be thrown out of a low-flying helicopter by  a rather daring, but dedicated Santa. They would never let Saint Nick do that these days, I’m guessing. Winstone staff’s children’s Christmas party, image courtesy of the Fletcher Trust, all rights reserved, ref #6351P/28. fletcherarchives.org.nz

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GOLDPACK XMAS CAKE A CLASSIC Butland - Judith Ann Field_BulletinNo7_2-1 copy edit copy

These two recipes from Goldpack are almost considered  Kiwi classics as perhaps anything out of the good old Edmond’s ‘Sure To Rise’ cookbook is. I covered the topic of the Xmas cake and pud here when I wrote about this Butland Indstries brand back in September 2012.

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Cinderellas  Xmas Christmas ONLY  1954-1980 copy edit copy

A ‘Cinderella’ issued by the New Zealand Tuberculosis Association in 1955 to raise charity funds. Cinderellas were a kind of stamp that were not official New Zealand post issue and were primarily decorative. They usually served two main purposes – fund raising or promotion. As such, they are their own special area of collecting and some can fetch high prices – such as early pigeon post stamps. Colourful and charming, they were popular during the festive season and I have a collection of Christmas ones that I will probably feature next year.

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Mcalls Xmas mag 1960s edit

Now, this one is special to me. It’s an American  McCall’s magazine – but they were sold in New Zealand. My mother was a bit of a fan, especially of the annual Christmas issues – and we had stacks of them sitting around that went back to the mid sixties. The Yuletide issue was always an amazing, over the top extravaganza; the kind of Christmas you could only dream of. The cakes, desserts and gingerbread house spreads were especially amazing, covered in Yankee candies that you could not get down under. I’m not sure of the date for this particular one, but it would be after 1964.

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NZ WOMAN'S WEEKLY XMAS EDITION magazine for December 3 1952 edit copy

New Zealand Woman’s Weekly magazine, early December edition, 1953.

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santa parade over the years 1966 nzheraldconz

One of the images recently featured by the New Zealand Herald in an article on the Farmers Santa parade over the years. This one was taken in 1966. Presumably courtesy of the Herald’s own collection.  nzherald.co.nz 

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UoW New Zealand School Journal Pt 3 1957 Conrad Frieboe edit copy

Another illustration from the New Zealand  School Journal, part 3, 1957. It looks like it’s signed ‘L.F.’ but it’s actually C.F., so definitely the work of the very talented Conrad Frieboe, whom I have already covered up near the top of this post. Image courtesy of the  Doris Chadwick Collection of educational publications,  D233, NZ School Journals Vols 51, 1907-1960 , UoW Archives. 

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Woman holding Christmas decoration made of milk bottle tops Wellington 1957 edit copy

Woman holding a Christmas decoration made entirely of  silver milk bottle tops, Wellington, 1957. Cellulosic film negative, taken for the Evening Post newspaper by unidentified staff photographer. Image courtesy of the Alexander Turnbull Library collection, ref EP/1957/4948-F. 

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All content of Longwhitekid copyright Darian Zam © 2015. All rights reserved.

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Unblemished Record: The Flawless Reign of Bernard Roundhill

In Air New Zealand, Alberto Vargas, Bernard Roundhill, Bixies, Blue Bonnet, Blue Bonnet Jams, board games, Bond & Bond, Butland Industries, C.L. Innes & Co. Ltd, Cadbury Fry Hudson, Cadbury's, Cereal Foods (N.Z.) Ltd, Champ pet food, Cheesecake art, Choysa Tea, commercial artist, Coulls Somerville Wilkie, Craig's canned foods, Craig's Jams, Crest Fine Foods, DB Lager, Diamond cereals, Diamond Pasta, Dolphin swinmsuits, Dominion Breweries, Duval Dimwit, Edmonds, Foodstuffs (NZ) Ltd, Four Square, Four Square Supermarkets, George Petty, Goldpack dried fruits, Goldpack Products, Holdsons games, Illustrators, Innes soft drinks and cordials, Irvine & Stevenson, J.R. Butland, Jason Products, Judith Ann Field, Ken Chapman designer, Kia-Ora jams, Lincoln Games, Little Chief socks, Ltd. calendars, Mabel Rollins Harris artist, McKenzies stores, Montana Wines, New Zealand Home Journal, Norman Rockwell, O-Tis oatmeal, Oak, Peter Pan ice cream, Peter the Pilot, Pin ups, Qantas Airways, RNZAF, Robinson's, Royal New Zealand Air Force, Sanitarium Health Foods, Scientology, Skippy the dog, Speights beer, St. George, Swiss Maid dairy products, Teachatot, TEAL Airways, The Mirror magazine, Thompson & Hill, Timaru Milling Co, Tiny & Droop, Wattie's, White's Aviation, Whittome & Stevenson, Winstone Limited, Wyona canned foods, Yates seeds on December 2, 2013 at 10.46

Diamond O-Tis by Timaru Milling back of Peter The Pilot on Active Service cereal card Album 1941 Bernard Roundhill BACK EDIT copy

An advertisement for Diamond O-Tis, by Timaru Milling Co., from the back of the “Peter The Pilot on Active Service” cereal card album, issued 1941. Designed and printed at Coulls Somerville Wilkie, Dunedin. Image courtesy of Dave Homewood, from Wings Over Cambridge http://www.cambridgeairforce.org.nz/

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Bernard Roundhill was probably Aotearoa’s most successful commercial artist, and certainly the most feted, in retrospect. He has come to be known as the “King of the Airbrush.” That’s a fair moniker; he was a pioneer and pretty much master of the technique in New Zealand. He’s also been described as “the founding father of commercial art”.
This a bit cheeky as he was not – that phrase indicates he was the first and possibly also suggests he was the best. Neither of these things are particularly true. All you have to think of is Joseph Bruno Moran, for instance, and a list of others that came before him and which no doubt he was beholden to. There’s no question he was easily and heavily influenced by others and ergo, indebted to those that were successfully working previously.

Portrait of Bernie Roundhill holding a book titled Information Circular NLNZ collection Nov 1945 Ref WA-00758-G Photograph  by Whites Aviation

Portrait of Bernie Roundhill by White’s Aviation, late 1945, holding a book titled “Information Circular”, which probably has one of his cover designs. NLNZ collection, Ref WA-00758-G

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Born in 1911, Hull, Yorkshire, England to John William and Mabel nee Tate – Bernie, as he was known to most, had two older brothers Kenneth Spencer and Maurice William, one older sister Mabel who was born 1908 in New Zealand, and two younger brothers.
 

Auckland in Fifty Years 1956 Bernard Roundhill  for Winstones Te Papa collection  copy

“Auckland In The Year 2000”, artwork for Winstone’s promotional book centrefold, 1956, is Roundhill’s most famous illustration. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000659/001/0001

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John William Roundhill (b.1887), having also hailed from Hull, had immigrated to New Zealand in 1903 with his brother Alfred. They both worked as labourers in the Timaru, Canterbury area. He met Mabel Tate there whom he married in March 1905. Alfred met Mary Jane Dukes and married her also in Timaru, 1905.

Dolphin swimsuits illustration by Bernard Roundhill for Whites Aviation Ltd Ref WA-03719-F Alexander Turnbull Library EDIT

Dolphin swimsuits advertisement for Whites Aviation Ltd, 1950. Image courtesy of  Alexander Turnbull Library, Ref WA-03719-F 

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At some point between 1908 and 1911 the Roundhills returned to Britain, where Bernard was born. The family left England again in 1912 – for good this time. His brother Charles came into the world just before they returned to New Zealand. Many sources repeat information from others ad hoc without checking, and quote Bernard as being three years old on arrival; this is incorrect.

Edmonds Advertising Framed palsop 1 Bernard roundhill perhaps EDIT cfurther

Double page spread advert from a 1959  Edmond’s “Sure To Rise” cookbook, which I believe was the 4th printing of the Deluxe version of the 1956 8th edition.

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They settled in Gleniti, Timaru at first, and then later in the 1910s moved to Fairlie, South Canterbury. A younger brother , George, was born in 1917. By this time a young Bernard was already obsessively drawing.
One of the stories repeated that Bernard allegedly told was of around this time, seeing the first plane in New Zealand fly over, and chasing it across the fields with 25 shillings given to him by his father to beg the pilot to take him up – thus beginning his life-long obsession with all things aviation and space orientated and the sense of freedom that entailed. How fanciful this tale may be is worth consideration given that it was not until 1920 the first flight in Aotearoa flew across Cook Strait. Only the third flight in New Zealand the following year by Bert Mercer that was in the vicinity, when he flew from Invercargill to Auckland.

Bernard Roundhill Painting of a Baby Dog & Slipper for magazine cover 1950 EDIT

Painting of “Baby, Dog & Slipper” for a magazine cover, 1950. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000660/001/0003.

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Roundhill studied architectural drafting by correspondence, in the late 1920s. Bernard was also a cabinet maker and learned the trade from his father – known as a perfectionist, as was apparently his spouse. This obviously had an impact on a formative Bernard and influenced his work practice.

Innes Cordial labels by Bernard Roundhill Te Papa copy

Innes cordial labels for C.L. Innes & Co. Ltd: from left – Reg: CA000680/001/0015 produced 1956, Reg:CA000680/001/0024 produced mid-late 1950s, and Reg:CA000680/001/0023, produced mid-late 1950s. Images courtesy of Museum of New Zealand Te Papa Tongarewa

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He then moved to Timaru around 1931 where he got his foot in the door of commercial art,  trying his hand professionally at window display material – designing signs, price tags and jewellers’ cards for various businesses. During this period of the lean depression years he also created paintings on material to earn money, daubing demons and heroes on velvet cushion covers and firescreens to earn a meagre living; all the items being dispersed by two salesman friends.

Bernard Roundhill art - OAK WATTIE'S WYONA ROBINSON'S HOLDSON ST GEORGE PETER PAN BLUE BONNET SWISS MAID WONDER SET HAIRSPRAY Te Papa Collection between 1961-1977

A selection of Roundhill Studio designs for various companies. Although this photo looks like it dates from the late 1950s, it was actually taken of contemporary products sometime between 1971-1976. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000672/003/0002

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This followed a move to Dunedin where work was still thin on the ground, and at first he would accept anything going – recalling one job akin to performance art where he painted on the velvet dresses of live models behind the display glass of a store in The Octagon. This led to some textile design work creating floral patterns.

Bernard Roundhill, Fissionable material. Framed calendar print, 1950s Dunbar Sloane

“Fissionable Material”,  framed calendar print, 1950s, likely commissioned by L. R. Allen & Co., Ltd. Image courtesy of Dunbar Sloane Auctioneers.

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However it was not long before he started to become successful. By 1933 he began working as chief designer for both confectioners Cadbury Fry Hudson and publishers Coulls Somerville Wilkie in Dunedin, who shared his much-in-demand services, split morning and afternoon. It was here working for the latter he created some of his most well-known work – the “Peter the Pilot” character for Timaru Milling Co ‘s O-Tis breakfast cereal, doing a number of adverts, packaging items, album covers, trade cards, and other merchandise; records state from 1939 to 1954. Although, Peter the Pilot had already been issued as an album by 1938, and he continued to work for this company through to at least the early 1970s.

Bernard Roundill for Winstone   from Peter Alsop book sampler CROP

Original artwork for Willy, Lofty, Tiny and Droop: concreting and drain-laying, illustration for Winstone’s promotional book, 1956. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000659/002/0005

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About this time, Roundhill discovered the airbrush art technique after reading articles about American and German commercial art in a magazine, and inspired by this idea he developed it for his own work, purchasing an Aerograph with a hand-pump compressor, even constructing his own equipment and customising the process in order to create the smooth, graduated and mechanical effects he wanted to achieve. By his own estimation it took around seven years of long work days to learn the craft thoroughly enough to be comparable to the commercial artists he admired – whose work filled magazines like Popular Mechanics.

CHAMP - CHAMP PET FOOD COMPANY - Skippy The Dog J R BUTLAND (dog food and cat food) 1950s EDIT copy 1

Champ dog food can label, featuring Skippy the dog, for J.R. Butland, late 1950s. Private collection 

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In 1935 he married his first wife Eileen Grace Morey in Dunedin. In 1938 they were living at 20 Cranley Street, Dunedin Central, – but then the same year they picked up and relocated with Bernard’s parents at 11 Littlebourne Crescent. Just to add to a crowded situation, Bernard’s brother Kenneth, a carpenter, was also living at the family home (his father John William was also now working as a carpenter). At this time Roundhill worked on the 1939-1940 Centennial Exhibition, as well as for Wattie’s (canned foods) and Speights (beer).

Choysa Tea for Bond & Bond 1950 Bernard Roundhill - Art New Zealand edit

Choysa Tea advertisement,  for Bond & Bond, 1950.

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This move may have had something to do with Bernard commencing military service that year – as a draftsman in the intelligence office of the 8th Brigade, mainly drawing maps. Leigh-Ellen Roundhill, Bernard’s daughter, is now an artist herself working on the Gold Coast in Australia – “Like so many other men, he did not speak of his war years. What I do know is that he was in the Air Force and did the Bombsight surveying (a device used by aircraft to accurately drop bombs, Bombsights were a feature of most aircraft from WW I onwards). Then his commanding officer would keep him back in Wellington to do map work. His work was very hush-hush and I was told he was part of the Secret Service. “

Crest - Bartlett Pears label  - Mike Davidson EDIT

Crest Bartlett pears can label, for J.R. Butland, late 1950s. Image courtesy of Mike Davidson collection

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In 1942 he moved over to the Royal New Zealand Air Force and worked for the Government architect’s office. All seriousness and secret business aside, Roundhill developed “Wing Commander Duval Dimwit” for their instruction manuals during this time to bring “a little humour into them” in the vein of the RAF’s Pilot Officer Prune – and also did brochure covers and pin-up art for aircraft noses, basically whatever was required or desired.

Innes Lemonade Bernard Roundhill 1950-1951 CROP 1

The Innes Lemonade girl. Poster artwork for C.L. Innes & Co. Ltd., 1950-1951. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000672/001/0014

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It is said he moved to Auckland in 1939 although this cannot be true since his second wedding was in Otago – it wasn’t that long before the marriage with Eileen foundered and Roundhill had met someone else. I think biographers are confused in regards to Bernard’s service in which he was stationed in both Auckland and Wellington during those years, but not permanently. Eileen and Bernard begun divorce proceedings in late 1943. Still in Dunedin, he married his second wife Olive Ella Tasker, whom he had met in Wellington in 1944 whilst still with Eileen.

CREST tomato juice label copy

Crest tomato juice can label, for J.R. Butland, late 1950s. Private collection 

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In the process of research, I trawled through five hundred or more newspaper articles which ended up being mainly of various seemingly unrelated Roundhills competing in sports tournaments. There were adverts for a Miss M. Roundhill’s dress-making studio in the late 1930s-early 1940s in Lower Hutt (Alfred, Mary Jane and daughter Mary had moved there in the late 1920s). But there was hardly a thing of note – apart from his and Eileen ‘s divorce noted in an article unflatteringly entitled “Unhappy Marriages”.

design for Home Loan Poster Education 1960s Bernard Roundhill Te Papa collection crop

One of three designs commissioned by a home loan company, early 1960s. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000662/002/0007

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So where was the scandal? That was it, I’m afraid – three wives and only one dissolution. The rest of the time it was clearly nose to the grindstone giving a glossy finish to plums on can labels – if any company wanted plump berries and healthful, fresh-looking vegies, or hi-tech planes and spacecraft from another world – Roundhill was the go-to guy for quite a stretch. Leigh-Ellen recalls Bernard was a very keen gardener, landscaping the family home and “grew wonderful vegetables, as well as planting many fruit trees which I used to climb”. No doubt the bounty from this was inspiration for his illustration work.

Four Square - fine things of the future - colouring book 1 brentzconz EDIT

Colouring book cover designed for Foodstuffs (NZ) Ltd’s Four Square stores, 1954. Private collection.

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Roundhill does not appear in the electoral roll in Auckland until 1946, so he and Olive must have made their move in 1945. During this period came a stint at an advertising agency studio; but it wasn’t long before he set up a freelance studio in Commerce Street. The couple resided in Dedwood Terrace, Ponsonby until the late 1940s to very early 1950s – when they moved to 1 Ranier Street, Ellerslie.

Four Square advertising picture - her list says butcher baker four square Likely Bernard Roundhill EDIT further final

 “A Treat in Store”, image possibly from a calendar, designed for Foodstuffs (NZ) Ltd’s Four Square stores, late 1940s-early 1950s. Private collection.

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By 1947 He was airbrushing ink and gouache with an air compressor and adding watercolour brushwork by hand on top to create illustrations with a highly finished look that nobody else was achieving. In “A Treat In Store” A girl accompanied by her spaniel and a trolley full of products (such as Bird’s Custard) in tow, is about to enter a Four Square corner store holding a shopping list. It is so obviously Roundhill work done for Foodstuffs New Zealand Ltd (Four Square and Pam’s), and is very reminiscent of his other softly-hued cheesecake work like “Fissionable Material”.

Four Square Store cover of puzzle  envelope 1950s 1949-1950 likely Bernard Roundhill EDIT

Promotional puzzle showing many of Four Square’s line of products. Dates for this item vary greatly from 1942 to 1959 – but it was actually issued in 1949-1950. Image courtesy of the Alexander Turnbull Manuscripts and Pictorial collection. Ref: Eph-F-GAMES-1950s-05-cover

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His pastel period of the late 1940s and early 1950s was all pinks, mints and aquas – and took a queue from the saccharine, romantic stylings of the very popular 1930s American calendar artist Mabel Rollins Harris’s idyllic works of children and glamour pin-ups. Even so the earlier work, such as his Peter the Pilot items, was markedly awkward and clunky in comparison to the later slick illustrations that became his trademark . Even further down the line when he’d really hit his stride, it was very hit and miss – there was often something a little wooden, and slightly distorted-looking about his renderings of people unless cropped close in a frame or off to the side to mask it. They were mostly neither graceful or believable; it was almost as if finish upstaged focus on form. Nevertheless, this work was still popular with clients – but let’s face it – still objects were his forte. Tomatoes and beans did not have to kick a ball or unfurl a sail.

Goldpack Apple Slices copy on the shelves in 1960 - Innes  Lemon Squash Cordial label mid 1950s copy

left: Innes cordial label, late 1950s, Image courtesy of Mike Davidson collection. Right: Goldpack dried apple box, late 1950s, private collection.

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From here he segued into calendar pin-up work of the early 1950s which he excelled at, probably because they were quite still and posed. Heavy influences are obvious on Roundhill’s cheesecake work from Alberto Vargas, George Petty, and the art direction of Esquire Magazine. They were created for Auckland calendar company L. R. Allen & Co Ltd. Auckland (which is still operating today), and some were used for W.D. & H.O. Wills (cigarettes).

Kauri Museum - Roundhill Peter the Pilot album 1939 -  Royal New Zealand Air Force display Rongotai Cover 1938

Right: Peter the Pilot’s “Century of Progress” album 1939. Image courtesy of The Kauri Museum collection, Matakohe. Left: Royal New Zealand Air Force, Rongotai display, souvenir booklet cover, 1938. The date begs the question as to whether Roundhill could have done this given he did not commence working with the RNZAF until the following year. Image courtesy of  Alexander Turnbull Library, who also question whether it’s authored by him. Ref: Eph-B-AIRFORCE-1938-01-front 

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Roundhill worked for many years as a freelance artist and purportedly established the Roundhill Studios, a large, stylish deco-style building – in Auckland in 1974 according to one of a few short articles that have been written over the recent years. Although the electoral rolls always give the address as Onehunga, it was actually in Ellerslie – at the same address as their home. Then another source describes his Ellerslie studio as “pre- supermarket days”- so 1950s.

Innes Tartan fruit cordials 1956 Te Papa edit

Innes Cordials packaging, for C.L. Innes & Co. Ltd., 1956. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: ACA000672/003/0007.

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There were two children of the union with Olive, previously mentioned daughter Leigh-Ellen – and also Dean Bernard Roundhill – who born in 1953. Leigh-Ellen says “It is possible the studio became registered as an Enterprise in the 1970s – but was indeed up and running by 1958. I remember a great deal of the studio as it was a big part of my life; this is where I grew up. My first recall is during the construction of the studio in 1957. It was attached to the family home in Ellerslie. Still only crawling, I climbed over all the building materials being used – only to be rescued by Bernard who was two thirds up a two storey ladder at the time.

Lincoln Electric Race Track box by Bernard Roundhill EDIT

Lincoln Electric Race Track box, 1950s-1960s, image courtesy of Clayton Blackwood collection.

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The studio was part of my play ground; and I wandered fairly freely in and out, watching my father and all the other artist staff work. I studied Bernard doing his airbrushing – no questions (to be) asked, so I was very still and silent as I observed. I learned a lot from watching them all, taking up art myself eventually. I recall him doing the beautiful fruit and flower labelling for Wattie’s and Yates, and various jam brands as well. And of course his Vargas lookalikes, which hung on the back walls of the studio.”

Little Chief Socks Bernard Roundhill 1949 Te Papa collection

Design for Little Chief Children’s Sox packaging, 1949. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000662/002/0003

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As far as canned (and boxed) fruit and vegetable products, Roundhill was known to have worked on label illustrations for Wattie’s and Wyona (General Foods), Crest (Butland), OAK (Thompson and Hills), St. George (Irvine and Stevenson), and Kia-Ora (Whittome and Stevenson) amongst others from the late 1950s through to at least the early 1970s. He had a fairly distinct style and his work was much more polished than other illustrators due to his technique. He was probably responsible for the majority of these designs in the marketplace for at least a couple of decades. As well as can labels, the studio was producing designs for a wide range of products from puzzles, mobiles, and calendars to wrapping paper, chocolate boxes, magazine covers, stationery, food packaging, and board games.

Modern Aircraft Album  CEREAL FOODS (NZ) WEETIES VITA-BRITS KORNIES  RICE FLAKES1950S EDIT copy

Wonder Book of Modern Aircraft Album, issued by Cereal Foods (N.Z.) Ltd., around the mid 1940s. Private collection

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Clients of this period included Little Chief (children’s socks), Winstone’s Limited (building materials), seed packets for Yates and McKenzie’s Stores, and The Mirror magazine. He worked on Butland Industries’ Goldpack brand, as well as their fictional home economics rep Judith Ann Field, and mascot character Skippy the terrier for Champ dog food. Holdson, Lincoln, and Philmar (board games and toys), New Zealand Home Journal, Diamond cereals and pasta (Timaru Milling Company Ltd), The New Zealand Ministry of Tourism, Ballet Russe (makeup), DB Lager (Dominion Breweries Ltd), Innes (soft drinks and cordials), Bond & Bond Ltd (Choysa Tea), Dolphin (swimwear), Edmonds, and aforementioned Foodstuffs NZ Ltd brands. I am sure this is just a small sampling of companies he completed work for.
 

Oak - Orange Marmalade- Thompson and Hills - Mike Davidson - prob early 1960s prob Roundhill artwork

OAK orange marmalade can label, for Thompson & Hills Ltd., probably early 1960s. Image courtesy of Mike Davidson collection.

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Amalgamated Society of Carpenters and Joiners NZ Conference Chch Nov-Dec 1916 - Roundhill in it prob John William EDIT copy

Amalgamated Society of Carpenters and Joiners Conference, Christchurch, 1916. There is a Roundhill specified in the group, probably Bernard’s father John William – I am guessing middle of back row based on physical appearance. Image courtesy of Alexander Turnbull Library, Ref: PAColl-D-0423.

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However as his work progressed through the 1950s and the 1960s, the crafting of it became extraordinarily precise. The highly polished shapes and forms comprising his work were solid, smooth and soft cubist; reminiscent of Tamara de Lempicka’s celebrated Art Deco era portraits of European café society. The portfolio of images he created for Winstone, featuring the characters Willy, Lofty, Tiny & Droop are exemplary of this period.

Pin Ups - Bernard Roundhill copy

Left: “I Haven’t Got Much On Today”, 1950, Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000661/001/0006. Right: “Forgotten Something, Honey?” 1950-1951, Image courtesy of alisonmc on Flickr. Both likely calendar prints commissioned by L. R. Allen & Co., Ltd.

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In 1956 he designed his most famous illustration, the one that many people are familiar with – “Auckland in the Year 2000” – for Winstone’s, featuring streamlined, high tech craft whizzing between futuristic buildings of downtown Auckland, a feat of swooping late-Deco inspired line work exquisitely rendered to finished perfection with the airbrush by Roundhill. Interestingly, the illustration he is celebrated for was completely his own concept and creation, given carte blanche by the client to do whatever he liked to fill a double-page spread.

Rangitoto - Spaceport II - Auckland 2500 - The Ambassadors concepted 1960 completed early 1990s  Bernard Roundhill  Te Papa collection  copy

“The Ambassadors, Rangitoto Spaceport 11, Auckland in the Year 2500.” Begun in 1960, finished between 1990-1994. Image courtesy of Museum of New Zealand Te
Papa Tongarewa, Reg: CA000659/001/0002

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Also the influence of his early Scientology days, shine through in his work – in particular “The Ambassadors”, featuring space craft zooming over a futuristic Auckland harbour with Rangitoto looming in the background. The intergalactic pulp science fiction concepts, masquerading as religious tenets – of fiction writer L. Ron Hubbard who founded the movement – are obvious even down to the weird logo on the ship’s sail like a mutated cross between the Thetan and Illuminati symbols. This illustration somewhat mirrors the fable that Xenu brought billions of people to Earth in spacecraft resembling futuristic airliners, and stacked them around volcanoes. Still, they are rather visionary and you can compare them with what has come to pass in contemporary times and there are some remarkable features that have fortuitously become realties.

roundhill designs for Yates Seed Packets EDIT copy

Yates seed packets from the 1960s, Image courtesy of Sarah E. Laing collection, 44 Ways of Eating an Apple blog.  

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Roundhill, described as a quiet and withdrawn persona, had embraced the wacko cult in 1953, along with his wife of the time, during a period when he was, besides running the studio, deputy mayor of Ellerslie Borough (he had spent a number of years as a council member previous to this). An acquaintance who was teaching him the art of public speaking, passed him a book on the religion. He said of himself he “learned, through Scientology, to create art that could communicate to people….(through it I) received validation and learned to do it better and better.” The last part may have some basis in truth but the former is quite debatable since Roundhill had effectively been “communicating to people” very successfully through his work for a good twenty years before the religion ever came into his life.

skippy  - judith ann - ice cream baby - sanitarium bixies copy

Clockwise from top left: Portrait of Skippy the Dog,  for J.R. Butland’s Champ pet foods, 1950s, Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000672/003/0008. Point-of-sale advertising material for Sanitarium’s Bixies cereal.  Portrait of  Judith Ann Field, the fictional home economics rep for J.R. Butland’s Crest Foods, 1953. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000662/001/0004. Painting of baby with ice cream and dog, probably done for a magazine in the early 1950s.

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Along with gravity, communication and its language was a concept that fascinated him and he ruminated on often as he undertook his work – of which he had an extraordinary ability to focus on, to the point of being able to exclude everything else going on around him that may have been distracting. “When I’m doing artwork, there’s nothing else in existence as far as I’m concerned” he once said.

Teachatot Game by Holdsons 1960s-1970s retouched Bernard Roundhill

Holdson’s Teachatot game box for Thomas Holdsworth & Sons, issued 1961. Private collection.

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During the 1960s and 1970s, he was a very busy designer and continued to complete a huge amount of work. He may well have been the most prolific commercial artist during that time. Between commercial work that continued to flow in – he returned to his former Depression-era occupation of painting mystical and symbolic scenes on dark velvet; he had flirted with this style again in his spare time in the 1950s, making greeting cards.
His creations in this genre were fantastic, kitsch, and…pretty awful really – in fact so much so that I am not going to include a picture of one (it’s true what they say about not quitting your day job). For someone who had built a reputation for cheerful, colourful and glossy work, these tacky renderings of Kingfishers, sailing ships, woodsmen and deer were surprisingly dark and creepy. But really, when you look hard at the characters in his commercial work like his portrait of Judith Ann Field and others – there is something slightly unnerving about their glazed stares and sinister Stepfordesque perfection – like they are aliens that have been zipped into a full body disguise.

The Incredible Tale (Fisherman and Boy ) 1953 Bernard Roundhill Te Papa collection edit copy

“The Incredible Tale (Fisherman and boy)”, 1953. Image courtesy of Museum of New Zealand Te Papa Tongarewa, Reg:CA000661/001/0003

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The most famous design he produced from the studio in his long career, one that went around the world, over and over, was during this period – the Air New Zealand Koru which was apparently designed originally in 1965 when TEAL became Air New Zealand and looked to replace its Southern Cross logo with something new and innovative. The koru was first applied to the tail of Air New Zealand aircraft with the arrival of the DC-10 in 1973, and has remained in use ever since.
Leigh-Ellen recalls: “I was banned from the studio when they were working on this, which was created by (graphic designer) Ken Chapman. I reasoned my way around that, and I watched the development of the project which was very exciting. I saw a lot of confidential things go on during it.” Although Roundhill mostly gets complete and unquestioned credit for this design, it seems he only came up with the original concept that was repeatedly returned to the drawing board, re-designed, developed and finished by members of his staff.

In amongst this period of great success resulting in the zenith of his most famous design – was also a period of tragedy for him. In 1967 his mother and his father John William and Mabel Roundhill both died within the year (sister Mabel had passed away ten years earlier). Then in 1969 son Dean Bernard Roundhill was killed in a road accident with a motorcycle at just 16 years old.

Whittomes Kia-Ora Jam - whittome & Stevenson- Mike Davidson prob early- mid 1960s prob Roundhill artwork

Kia-Ora jam can label, for Whittome & Stevenson, probably early-mid 1960s. Image courtesy of Mike Davidson collection.

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Winstone by Bernard Roundhill from  Peter Alsop's book

Original artwork for Willy, Lofty, Tiny and Droop: Roofing Tiles, illustration for Winstone’s promotional book, 1956. Image courtesy of Museum of New Zealand Te
Papa Tongarewa, Reg: CA000659/002/0004

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However clients kept him occupied while he delegated jobs to a staff that swelled to as many as sixteen at times. As well as most of the clients listed of the 1950s, in the 1960s-1970s Roundhill added Peter Pan (ice cream and frozen foods), Air New Zealand, Robinson’s (cordials and baby foods), Jason Products (placemats and coasters) Blue Bonnet (spreads and jams), Wonderset (hair products) Yukich’s Montana Wines, Swiss Maid (dairy), Craig’s canned foods, sauces and jams (Butland Industries) and Qantas amongst his roster during this period. Initially he had started employing others post-war period to help with the more tedious jobs like lettering, but the studio, which also had the rare distinction of being independent from an advertising agency, produced a number of respected designers like John Woodruffe and Graham Braddock. It wasn’t until the mid to late 1980s that Roundhill finally dipped his toe in the digital world of production – converting the studio which previously had run without even a photocopier.

In 1988 Bernard Roundhill was presented with the Gold Axis Award by the New Zealand Advertising Institute, for excellence in advertising communication and craft excellence. At the time it was only one of three that had been bestowed.

Yates Garden Painting Book - New Gold Dream -Bernard Roundhill  - Phillip Matthews - Listener Apr 20-26 2002

The Yates Garden Painting Book for children, issued 1953, replete with evil gnomes to give you nightmares.

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After Olive died in 1984, Roundhill married for a third and final time – to Peggy Lee (not the celebrated crooner). Peggy was a widow who had one son from her former marriage. She also claimed she was a writer and director, as well as a “highly trained” scientology counsellor. Peggy was a few years behind Bernard, having discovered the religion in 1961 through the Dianetics book which was held at Auckland University. It was after his second wife died they found had their faith in common; whether they knew each other earlier on is unknown but highly likely. They soon sold the Ellerslie property and moved to a cottage in Torbay.

Air New Zealand craft with Roundhill's Koru design All rights reserved by dbcnwa flickr edit copy

Air New Zealand craft with the Roundhill Studio’s Koru design. Image courtesy of and © dbcnwa on Flickr .

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His relationship and union happened with Peggy very quickly – who was by all accounts a very charismatic individual with “enough energy to power the national grid.” Controlling and possessive – she essentially closed Bernard off into a spiritual bubble, alienating him from his family. Leigh-Allen says “…I became estranged until two weeks before he died. I was banned from retrieving any of my, or my family’s things, from the house after (Peggy married him). Peggy told a lot of tales and I think Bernard just gave up (fighting it).” One journalist described her style as “cheerful embellishment.” Apparently in her world the truth was highly negotiable if inconvenient – see earlier story about Bernard and the aeroplane, which may have had a vague basis in legitimacy – but was pretty far-fetched by the time she had re-styled it.

So devoted were they that by 1994, the couple moved to Southern California to teach and lecture on the religion. To say that a move to the other side of the world to establish a new life in his early eighties was risk-taking is an understatement – not only was he very elderly but Bernard was suffering from Parkinson’s Disease. The couple spent much of their savings trying to find a cure and when the money and will power ran out – they decided to go home.
By the early 2000s they had returned to New Zealand and were living in Mairangi Bay on North Shore, Auckland where Bernard indulged in his favourite pastime; gardening. Towards the end, Peggy undertook the administrative role for Bernard’s art studio, which seems to indicate he continued to work in some capacity – although seemingly he started wind down commissions in the early-mid 1990s when his illness got the better of him. Nevertheless, he had been kept busy work-wise well into his eighth decade.

Yates Seeds_350 Art by Bernards Roundhill EDIT

Yate’s seed packet designs, probably early-mid 1950s. Image from the “New Zealand In Bloom” exhibition, 2005, courtesy of Museum of New Zealand Te
Papa Tongarewa.

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Peggy had a scientology website, which was a joint undertaking also showcasing Bernard and his work. It has since gone out of commission – likely it went down because she died in 2006, the year following Bernard – and the hosting has obviously since expired. Bernard had passed away in 2005 at age 94; but before that Peggy had spent three years between 1999 and 2002 sorting his archives in preparation for offering the collection to a museum. The archive collection effectively falls into three categories: original finished art, commercial art products (such as posters and ephemera), and then Bernard’s reference material, including some by his contemporaries. Ultimately the body of work went to Te Papa where it remains today as an example of how he styled some of our most recognisable brands through the seven decades of his remarkable career. In 2005 they showcased some of it in a Richard Wolfe-curated exhibition “New Zealand in Bloom.”

Young woman hitching 1951-1954 Te Papa collection

“Young Woman Hitching a Ride”, 1951-1954. Likely commissioned by L. R. Allen & Co., Ltd. for a calendar. Image courtesy of Museum of New Zealand Te
Papa Tongarewa, Reg: A000683/001/0003

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When working in other styles and genres such as the cartoonish and quirky “Surfing Santas” design for wrapping paper of 1950 – Roundhill showed that he was perfectly competent in capturing action adequately (although, on reflection, it seems likely this was designed by an employee). Everyone knows I am a devotee of some of his work like his hyper-real illustrations for Holdson; however his irregularity in a stellar level of illustration across the board tempts me to dub him overrated in comparison to the international greats – for as innovative as he was – butted up against them he tends to regularly fall short in consistence as well as imagination.

INNES - C L INNES & CO LTD  Strawberry Milk Shake & Ice Block Flavouring Syrup  1950S or 1960s Te Papa prob Bernard Roundhill EDIT

An Innes syrup label for C.L. Innes & Co. Ltd., produced mid-late 1950s. Images courtesy of Museum of New Zealand Te Papa Tongarewa, Reg: CA000680/001/0004

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The majority of his work speaks little of New Zealand culturally in that unique manner that defines such things as Kiwiana, and as such cannot claim that differentiation from the international work of others that would really propel it into its own unique genre.
But this is what happens when an attempt is made to reframe commercial work as high art – a concept and distinction that Roundhill always stated he was indifferent to; it is voluntarily judged under the harsh light of a new work lamp.
More than anything his oeuvre’s real value is as a time capsule of product showcasing packaging and advertising that stretches nearly seventy years. Although inspired by Norman Rockwell and his luscious Coca-Cola adverts, amongst other celebrated illustrators – Roundhill never quite reached that level excepting some of his brilliant futuristic scapes and was rightly awarded for them; but as such he ultimately may have just been a big fish in a small retouched pond.

Thanks to: Bridget Simpson, Reference Librarian, Central Auckland Research Centre, Central City Library. Jennifer Twist, Archivist, Museum of New Zealand Te Papa Tongarewa. Leigh-Ellen Roundhill, Grant Cathro, Peter Michel, Lemuel Lyes of History Geek and Mike Davidson for interviews, images, and assistance with research.

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All content of Longwhitekid copyright Darian Zam © 2013. All rights reserved.

Packed With Good Memories

In Baking, baking nostalgia, Blue Bonnet, Blue Bonnet Jams, Butland Industries, Celopak dried fruits and nuts, Chesdale Cheese, Craig's canned foods, Craig's Jams, Crest Fine Foods, Dairylea, Dixibell margarine, Goldpack dried fruits, Goldpack Products, Heinz Watties, Kraft Foods, Red Cherrylike, Sir Jack Butland, Sunny Valley dried fruit, Tasti Products, Wilson Foods Ltd on September 3, 2012 at 10.46

Front of a box for preserved ginger, probably dates from the late 1950s-early 1960s. The design never really changed over the decades. 
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Goldpack is a brand I remember well from the kitchen of my Gen X childhood. They were a regular in our house, for my mum often used the products for baking cakes, biscuits and sweets – back in the day when mothers actually had time to do that… as well as everything else, unlike now.
I loved the packets, with the lush bright cherries and the old-fashioned, exotic design of the ginger box that never seemed to update its slogan on the side – “a delicious sweetmeat, and after dinner aid to digestion”. Of course people had long stopped treating the product as an unusual, interesting dessert on its own, except maybe on Christmas time platters.
Like most kids I was constantly cutting bits of the boxes out to use for scrapbooks, collages and stuff when they were finished with… or sometimes even before. Cue parents yelling “WHO has been at this AGAIN?”

Front of a box for dried apple slices, probably dates from the mid-late 1950s. The artwork matches a label for Crest canned pie fruit which was in production about 1959.
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These images were lent to me for use by an Auckland historian who had previously worked in the industry for quite a a number of years (first at Butland, then at Heinz Watties), saw the blog and contacted me to ask if I’d be interested in some of the things that he had. It’s one of those moments that you live for when you do this sort of work. So of course I immediately said YES, as I had been wanting to get my hands on these for ages. I sort of remembered most of these in the back of my mind somewhere but it was a bit blurry at this point in time – and I had been longing to see them and take a trip down memory lane. Just as when I posted on Jay Tee patty pans back in March 2011:

https://longwhitekid.wordpress.com/2011/03/12/in-my-cups/

the minute I clapped my peepers on them it was an immediate sensory journey back in time. That’s true nostalgia.

Goldpack cake fruit, 1945
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I found an ad placed in the Auckland Star of 1929 where Goldpack Products of Rutland Street, Auckland central are advertising for “two girls, about 18”, and also a “respectable youth wanted”.  proving that they were already established and had at least one product by then. Goldpack tinned pears were on the market in 1930 until at least 1933 in 1 lb and bulk 22 lb tins,  by 1932 clover honey was for sale in bulk, and also in 1 lb wax pots – and ginger also in the stores in two different size packets; and it’s only by that year that archive dates indicate that it was formally registered as a business. Goldpack as a trademark came much later in 1935, when according to company literature, preserved lemon peel and cherries were rolling off the factory line for the first time in addition to the other products .

In 1938 the first mixed fruit product sold by individual box came out. Jack Butland was one of only two agents in New Zealand at the time who exclusively imported Australian dried fruit (the only other contenders I can think of are Sanitarium, Tasti Products which was established in 1932 and still going today, or the popular Celopak range from Wilson Foods Ltd). The sultanas, raisins and currants (and probably everything else in the range) were supplied to businesses in bulk, which, before the days of widespread self service meant your goods were divvied out by the grocer at your order – the usual procedure of that time.

Through the 1930s, ads were placed to dispense of “oak barrels, ex factory, 25 gallons, suitable (for) brewing, any quantity”. These were clearly what the preserved ginger was imported in either in syrup and then crystallised in the factory, or arriving as is and sorted into packets. This one was placed in 1938.
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Clearly tinned fruit and honey dropped by the wayside early on in the game. In 1945 the business was still registered at Rutland street, advertised as “a new, light and airy factory” – but at some point it moved to the corner of Newton Road and St Benedicts Street, in Eden Terrace (perhaps while the new Rutland Street factory was constructed).

Front of a box for crystallised cherries, probably dates from the late 1950s-early 1960s.  
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I don’t think much in the way of new products was added to this roster until the 1950s when presumably dried apple slices were tacked on ; I have posted the box front here. The only other example I have ever seen is in the General Store collection of the Ferrymead Heritage Park in Christchurch.

Clover honey, advertised in the Evening Post,April 1932

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By the 1960s Goldpack was producing preserved ginger, maraschino-style cherries by the jar to cater to the era of the still-existent cocktail hour, cake fruit mixture and crystallised cherries. I have a record of mixed peel being added in the 1970s although no doubt it was introduced much earlier since it was considered a cooking staple.

This curry probably replaced the Crest brand, possibly late 1960s

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A stock list of the whole range in late 1988 shows glacé cherries, maraschino cherries, mixed peel, crystallised ginger, diced ginger, whole and broken cherries, cocktail cherries, and a product named Red Cherrylike, which I am advised was made from coloured Mangolds, something I’d never heard of so I went exploring and, well – I learned something new, which is, while akin to huge white turnips – there’s nothing uninteresting about them.

Ginger box, in 1987

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The Mangerlwurzel, also known as the Fodder Beet (and as the Mango in nineteenth century America) began to be cultivated in the 1600s to feed cattle in the winter. Tough and sweet, but not fibrous, they are ideal to cut into shapes which dyed and flavoured – serve well as a cherry substitute. Mangelwurzel Hurling competitions are an old British tradition ( which continues today in the village of Sherston). They are also traditionally used to brew an alcoholic beverage. Knowing what I do of the British I would say the former was invented after over-imbibing of that latter.

A very rough illustration of the  crystallised ginger box, nevertheless it clearly shows the earliest incarnation of this product, from a Farmer’s ad of November 1929.

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Front of cake fruit box, possibly early 1960s

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Mangolds (also sold as their own product, Red Cherrylike, in bulk) were used as a substitute in the cheaper brand of cake fruit on the market also by Butland called Sunny Valley which was packaged in a poly bag; and marketed under a subsidiary name to give the impression that Butland didn’t have a complete stranglehold on the premium market. Whereas Goldpack, considered the choice brand, always had real (broken) glacé cherries in the mixture and was presented in a cardboard carton.

Most of the Goldpack range from a salesman’s portfolio, late 1980s.

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The agency duopoly on Australian dried fruits imported into New Zealand finished up in the late 1960’s when three others were introduced. These, now five, agents split up the country’s market into wholesalers for which each could exclusively supply at the same fixed price. Peter Michel says: ”I was a salesman for Butland selling the dried fruit in the mid 1970s to the wholesalers and merchants around the North Island. I think that none of my customers from then exist now. It was a very cosy arrangement that would be impossible to replicate today”.

Cocktail cherries by the jar, late 1980s – although – this label looks like it had not been updated for quite some time.

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I remember Goldpack Indian curry powder, pictured here from the late 1970s or early 1980s. I don’t know if there were other spices and herbs in the range at that time besides this. This product would likely have been a way for Butland to keep their former Crest curry powder in the marketplace after they had disposed of most their other significant interests to rival companies (canned goods like Crest Fine Foods, Blue Bonnet and Craig’s; and dairy products including Chesdale, Dixibell, and Dairylea to name some of the huge ones, although there were many more small brands with one or two products in the lines such as teas, condiments, personal products, etc).

“Gold Pack” (sic) Bartlett Pears  for sale at Woolworths in a 1 lb size, Evening Post, June 1933.

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This mixed peel box was in use from the late 1970s-late 1980s.

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The Butland story is quite a big one as a major, innovative New Zealand foodstuffs company in the second half of the twentieth century, which I briefly touched on when I wrote a fairly “low fat” post on Chesdale cheese back in December 2011 here:

https://longwhitekid.wordpress.com/2011/12/06/an-elaborate-process/

and as such I will save it for another chapter later on, because I reckon there’s at least two decent sized articles on that topic.

This mixed glace cherries box was in use from the late 1970s-late 1980s.

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By the 1980s Goldpack had moved to a division of Butland’s factory premises in Penrose. Kraft bought the business, including Goldpack, outright from Butland in 1989; they had owned 49% of the company for the eight years previous. When the factory moved from 644 Great South Rd in Penrose to 16 Dalgety Drive in Wiri, Manukau around 1991-1992, the brand was discontinued for good.

Label from maraschino cherries jar,  dates from the mid 1950s.

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“Goldpack Supreme Pudding” and “Goldpack Christmas Cake” are recipes still used today that are based on the brand’s mixed fruit in particular; although of course the ingredient is now substituted. I wouldn’t call them Kiwi classics (yet) but it’s an instance of how a much-loved brand enters the common vernacular and lodges long after the product is but a pleasant memory of hours spent in warm kitchens making sweet treats for special events – or just for pleasure.

This ginger box features a competition in the late 1970s-early 1980s.

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